‘Texas’ by James Michener (mini-review)

I have just finished reading Texas (1985) by James Michener.

James Michener (1907-1997) specialized in vast historical novels, usually centered upon the history of a particular place.

For example, Hawaii (1959) covered the history of Hawaii. Alaska (1988) covered the history of our 49th state.

His books are long and vast in scope. A thousand pages is a typical length. Michener wrote novels that today’s short attention-spanned, Internet-addled American finds daunting. But he was quite popular during his heyday, the 1950s through the 1980s.

Because of the historical scopes involved, Michener’s novels span many generations, with wide casts of characters. His books are less novels, in the conventional sense, than collections of interconnected novellas. If James Michener were alive today, and publishing on Amazon Kindle, he would almost certainly be publishing his long books as series of novellas. But that wasn’t what the brick-and-mortar-centric book retailing industry of the 20th century wanted. And so James Michener’s long tales were delivered as doorstop-sized novels.

Texas follows the usual Michener formula. There are storylines from the Spanish colonial period, the obligatory story about the Alamo (of course), and characters from more recent times.

I have sometimes found James Michener to be a bit too didactic. (In the historical fiction blockbuster space, I much prefer Edward Rutherfurd and John Jakes.) A novel based in historical events is fine; but if I want to read an actual history, I’ll turn to nonfiction. But in Texas, Michener emphasizes story and mostly avoids the dreaded info-dump.

I am not even going to attempt a plot summary of Texas. There is simply too much to describe. Any plot summary I might write would run on for five thousand words, the length of a long essay or a middling short story.

Suffice it to say: Texas contains many plots and characters related to the history of Texas. It’s also a very entertaining book, if you aren’t daunted by the 1096-page length.

-ET

Kansas (the band) documentary

I discovered the music of Kansas in the early 1980s, as I was entering high school. By that time, Kansas already had eight studio albums, including the new one at the time, Vinyl Confessions. I eventually purchased their entire back catalog.

I knew immediately that Kansas’s music was “different”. Whereas Van Halen was singing about beer and women, the typical Kansas song dealt with spiritual and philosophical themes.

Some Kansas songs are so intellectual that I didn’t connect the dots until years later.  For example: “Journey from Mariabronn” on the band’s 1974 debut album, takes its inspiration from Narcissus and Goldmund, a 1930 Herman Hesse novel set in medieval Germany.

I happened to read this novel just a few years ago, when I was already well into my fifties. I had a classic “ah-hah” moment when I made the connection between the Hesse novel and the Kansas song—which I’d enjoyed in partial ignorance for all those years.

Kansas songs are full of Easter eggs like that.

The above documentary covers Kansas from its foundation, through the height of the band’s commercial and critical success in the late 1970s.

In the 1980s, Kansas suffered a decline, as the group’s members disagreed on their creative direction. (I’ve written a post about that here.)

All musical acts have their ups and downs, though, and none stays at the top of the heap forever. Kansas remains one of my favorite bands, more than 40 years after I first discovered them.

-ET

The Best Short Stories 2024: The O. Henry Prize Winners (quick review)

I’ve been reading more short stories of late. I find that I often enjoy them more than novels. A good short story contains no fluff, no filler. Short stories, moreover, are well-suited to this era of cell phones and short attention spans.

Short stories used to be almost as popular as novels, back when Americans read middlebrow, general interest magazines. (F. Scott Fitzgerald earned most of his income from short story sales.)

But that was in the distant past. For as long as anyone can remember, every fiction writer has dreamed of being a bestselling novelist. Publishers have been wary of short fiction collections, unless every story in the collection was authored by Stephen King.

I recently picked up The Best Short Stories 2024: The O. Henry Prize Winners, edited by Amor Towles and Jenny Minton Quigley. I bought the audiobook edition, so I listened to these stories as I mowed my lawn and did my bench press sets in the gym.

This collection contains a strong mix of stories. This isn’t to say that every story is a gem. As is always the case with multi-author anthologies, the reader’s mileage may vary. There were a few stories in this collection that left me cold. But most of them are good, and a handful of the stories are very good.

My favorites were:

“Hiding Spot” by Caroline Kim

“The Paper Artist” by E. K. Ota

“The Dark” by Jess Walter

Recommended reading…especially if you’ve been waiting for the right time to jump back into short-story reading.

-ET

View on Amazon: The Best Short Stories 2024: The O. Henry Prize Winners

Fast Times at Ridgemont High + 43 years

Fast Times at Ridgemont High, that quintessential teen movie of the first half of the 1980s, hit the theaters 43 years ago today, on August 13, 1982.

On that date I had just turned fourteen. I did not see Fast Times in the cinema. (I could not even drive yet.) I did catch the movie a few months later, on cable. By that time, it had become a must-see movie for anyone among the teenage set.

I liked the movie then, and not just because of the iconic scene in which Phoebe Cates emerges from the pool. Even at that age, I could tell that Fast Times at Ridgemont High was a thoughtful teen movie, as oxymoronic as that sounds.

The movie does contain explicit sex scenes, especially by today’s less tolerant cinematic standards. Fast Times originally received an X rating. The film was reedited to receive an R rating. Primarily because of the sex, all of the “teens” in this film were already adult actors by the time production began. (Jennifer Jason Leigh was almost twenty years old when she portrayed the 15-year-old Stacy Hamilton.)

And yes, that Phoebe Cates pool scene was unnecessary and tawdry, much as it delighted the 14-year-old version of me.

But underneath all the raunch and bawdy comedy, there is a message about hubris-driven teenage risk-taking, and the consequences that result. I would go so far as to call Fast Times at Ridgemont High a teensploitation film with a conservative message.

I watched this movie for a second time a few years ago. I was an adult in my fifties. The 1980s and high school were long behind me.

I thought the movie was even better the second time around.

I’m not the only one who believes that Fast Times at Ridgemont High stands the test of time. In 2005, the National Film Preservation Board recognized the movie as “culturally and historically significant”. This is one time when I agree with the consensus view.

-ET

**View Fast Times at Ridgemont High on Amazon

867-5309, and a lesson in the value of skepticism 

The early 1980s gave us a famous song named after a phone number: “867-5309”. Even if you do not remember the early 1980s, you are probably familiar with the song.

The song was alternatively known as “Jenny”. Often the song was identified with both names: 867-5309/Jenny.

In the song, a male narrator describes his obsession with a woman named “Jenny”, whose phone number (867-5309) was written on a wall, presumably in a men’s room. (That was a common prank back in the 1970s and early 1980s—writing random women’s names and phone numbers on the walls of men’s rooms. Don’t ask me why.)

Tommy Tutone is the name of the musical act that performed 867-5309.

Tommy Tutone is not a single artist, but a California-based group. The original lineup of Tommy Tutone was formed in 1978. The band still exists today. Tommy Tutone released six studio albums between 1980 and 2019. But the band owes most of its name recognition to 867-5309.

867-5309/Jenny was released on November 16, 1981. By the end of the following year, everyone with an FM radio had heard it.

867-5309 was, and remains, a cultural phenomenon. Not everyone was pleased about the song’s fame, however. After the song became popular, homeowners who happened to have been assigned the number began receiving prank phone calls. Many changed their numbers. Some even unplugged their phones in desperation.

Still others went out of their way to acquire the suddenly famous seven digits. Now that the initial fervor over the song has long since died down, this is the more common trend. It would probably be difficult—if not impossible—for you to obtain 867-5309 as your personal phone number. But your odds will increase in less populated areas, and as the time between the heyday of the song and the present year continues to grow.

In late 1981, I was in the eighth grade in Cincinnati, Ohio. One morning—it must have been a few weeks before the Christmas holidays—I heard a girl in my homeroom say my name. When I turned around, she had a smile on her face. I sensed good things ahead. Continue reading “867-5309, and a lesson in the value of skepticism “

That 1970’s vibe: ‘Revolutionary Ghosts’

REVOLUTIONARY GHOSTS is a coming-of-age supernatural horror novel set near Cincinnati, Ohio in 1976.

But the novel is based on Washington Irving’s 1820 short story, “The Legend of Sleepy Hollow”.

Revolutionary Ghosts came from the question: “What would have happened, had the Headless Horseman of Washington Irving’s tale invaded 20th-century America in 1976?

In the above video, I describe the series of associations that went into the story, some going back all the way to my childhood. (I was 8 years old in 1976!)

-ET

View REVOLUTIONARY GHOSTS on Amazon!

“Don’t Stop Believin’”: a song with multiple lives 

I was in the 8th grade in 1981-2, when Escape, Journey’s seventh studio album, was the latest thing.

Escape is one of the few rock albums with no duds. Every song is good—if you like Journey’s style of music.

But the best song on the album, perhaps, is “Don’t Stop Believin’”. It is a great song because it is simultaneously specific and universal.

We wonder about the small town girl, and the city boy “born and raised in South Detroit.” What compelled each of them to take “the midnight train going anywhere”?

And at the same time, the song is vague enough that we can each apply it to our individual stories. “Whoa, the movie never ends. It goes on and on and on and on.” My movie has gone on for 44 years since I first heard this song, and counting.

For years, this song instantly took me back to the 1981-2 school year, and the adolescent I was at that time. The song can still do that.

But then a few years ago, I watched The Sopranos from start to finish. (I was about a decade behind everyone else in doing this…the story of my life.) Then, for a long time, I would see the final, iconic scene of The Sopranos when I heard, “Don’t Stop Believin’”.

Most recently, I have discovered First to Eleven’s interpretation of the song. (First to Eleven is a very talented cover band based in Erie, Pennsylvania.)

None of the members of First to Eleven was even born when I heard “Don’t Stop Believin’” for the first time, back in 1981. (They are all very young.) And yet, their music video, and lead vocalist Audra Miller’s performance, put yet another spin on the song for me.

And some people worry—or hope—that AI will replace serious musicians? They base this on the fact (for example) that AI can now reassemble good music into mediocre music. (See my recent post about The Velvet Sundown.)

AI will never be good for anything but mediocrity. Only a human imagination could have come up with “Don’t Stop Believin’” almost half a century ago. And it took human imagination to come up with all these reimaginings of the song since then.

-ET

Runner’s high is real; I’ve known this for 40+ years

This week the Cincinnati area is under an oppressive heat wave, so I went for a morning run today, instead of delaying until the afternoon.

It was nevertheless about 80 degrees Fahrenheit and muggy. Bad air quality. Not ideal weather for running.

I pushed through, though, and completed my miles. (This morning, I did a light run of only 3 miles.)

Afterward, I was suffused with feelings of euphoria: a sense of centeredness and relaxation. My thoughts were crystal-clear and focused.

I was peacefully floating.

This is, I believe, the feeling that many recreational drug users search for.

I know a young woman, almost thirty years my junior, who begins each morning by smoking marijuana. She claims that the marijuana helps her anxiety.

I have told her many times: “Quit smoking weed, like a total f—cking moron, and start running.” (She is in perfect health, and there is nothing to stop her.)

Runner’s high is real. There are others who can better explain the science behind it: running’s effects on the hippocampus and whatnot. I can give you 40+ years of experiential testimony. Running makes you feel good, like no recreational drug or intoxicant can.

And unlike recreational drugs, running is also good for you.

-ET

Stephen King’s ‘The Outsider’ in Kindle Unlimited

While poking around on Amazon this morning, I noticed that the electronic version of Stephen King’s 2018 novel, The Outsider, is now available in Kindle Unlimited (KU). This means that subscribers to Amazon’s Kindle Unlimited program can read the electronic version of the book for free.

(Note: At least for now. Kindle Unlimited terms run for a period of 90 days. So if you’re reading this post a year from now, The Outsider may or may not be in KU.)

Amazon launched its Kindle Unlimited program more than a decade ago. Since its inception, there have been arguments for and against the program.

On one hand, Kindle Unlimited is to books what Netflix is to movies. KU thereby allows subscribers to discover new books and authors for free (aside from the KU subscription fee).

On the other hand, Kindle Unlimited requires books to be exclusive to the Amazon platform. (More on this shortly.) This creates a “network effect” that arguably disadvantages other stores like Apple Books and Kobo.

Another concern with Kindle Unlimited is that it tends to be skewed toward certain kinds of genre fiction, like romance, urban fantasy, and space opera. In the past, critics of the program (mostly book reviewers) have complained that Kindle Unlimited doesn’t contain enough titles from bestselling, household-name authors.

Well, you can’t get any more household-name than Stephen King. If a Stephen King title is available in Kindle Unlimited, then the program has all the bona fides it needs. 

There is one important catch, however. And this quibble comes (mostly) from the perspective of an independent author/publisher like me.

The Outsider is still available on other platforms, like Kobo and Apple Books. (I checked.) Stephen King’s title is not subject to the normal rules of KU exclusivity.

This is an important exception. If I place a book in Kindle Unlimited, I have to agree to make it exclusive to Amazon (not available anywhere else) for a period of 90 days. This means that readers can’t find it on other platforms, and I can’t sell it on other platforms during the Kindle Unlimited enrollment period.

So Stephen King gets different, more preferential treatment at Amazon than I do. I’m neither outraged nor surprised. Having spent many years in the corporate world, I know how the corporate world works.

As someone once told me, many years ago: “Rank and status have perks.” At the time, we were discussing the egalitarian implications of reserved parking spaces for top managers in the company parking lot. The corporate world is far from egalitarian. It would be naive to think that book publishing and retailing are “special” in this regard. Business is business.

On the contrary, I might benefit from this. The placement of The Outsider in Kindle Unlimited will bring new horror fans into the subscription program. After they’re done reading The Outsider, some of them may read one of my horror novels, like 12 Hours of Halloween, Revolutionary Ghosts, or Kuwa 6226. They may even give my historical horror series, The Rockland Horror, a try.

Yes, that was a little self-promotional plug, tongue-in-cheek though it was. Like I said: Business is business.

-ET

View KUWA 6226 at Amazon!

I finally watched ‘Mystic Pizza’

Some romcoms are good, and Mystic Pizza is one of the good ones. This movie came out shortly after my twentieth birthday, but I somehow neglected to see it.

Mystic Pizza is about three Gen X working-class Portuguese women who are in their early 20s. (Since this movie came out in 1988, Gen X was still young, and still not widely referred to as Gen X.)

Structurally, the movie reminds me a little of Fast Times at Ridgemont High (1982), insofar as there is an ensemble cast (Julia Roberts, Lili Taylor, and Annabelle Gish), each working her way through a slightly different moral and emotional conundrum.

These dilemmas deal with issues of love, sex, socioeconomic class, and ethnicity. (I should make clear, though: Mystic Pizza is not a “message film”. It is simply an artifact from a time when even young adult date movies had artistic worth.)

Vintage 1988 theatrical release poster

The movie is set in the late 1980s in the fictional town of Mystic, Connecticut. All three of the young women work at “Mystic Pizza”, a mom-and-pop pizza restaurant run by a late middle-age Portuguese couple.

This was the movie that launched Julia Roberts’s career, more or less. Mystic Pizza also includes the then-unknown Matt Damon in a very minor, nonspeaking role.

Most impressive of all, though, is the performance of Vincent D’Onofrio, who plays the marriage-minded boyfriend of one of the young women. What is impressive is that the previous year, D’Onofrio starred in Full Metal Jacket as the bumbling but mentally disturbed Private Leonard ‘Gomer Pyle’ Lawrence. D’Onofrio displays an impressive range, moving easily from a psychotic villain role in a war movie, to a leading man role in a romcom.

Mystic Pizza is a must-see for all Gen Xers who may have missed it in 1988. Millennials will find some aspects of the movie they like. Gen Z viewers will probably not understand the relationship portions of the movie, but they will marvel at the payphones and Internet-free world of 1988.

-ET

**View MYSTIC PIZZA on Amazon**

“Where’s the beef?” the genius of that 1984 Wendy’s commercial

The question “Where’s the beef?” was a common “meme” in American culture in the mid-1980s. (Nobody used the word “meme” back then, though.) “Where’s the beef?” implied that something lacked value or substance.

It all came from a series of Wendy’s commercials, starring Clara Peller (1902-1987). Pellar made this inquiry whenever she was confronted by a hamburger that was too much bun, not enough beef.

Wendy’s made the size of its beef patties a selling point. And while fast-food hamburgers were never among my favorite foods, the Wendy’s burgers were better than most, at least in the 1980s.

This commercial is pure genius. It is entertaining in itself, but it also conveys an effective marketing message.

-ET

‘Payback’: not one of Mel Gibson’s better films

I’ve seen most of Mel Gibson’s movies, but I somehow missed Payback (1999). I watched the movie tonight and was distinctly underwhelmed.

Payback, as the title suggests, follows a boilerplate revenge plot. Mel Gibson plays Porter, an unlikable underworld figure who has been shot, left for dead, and cheated out of $70,000. Most of the movie concerns his violent quest for retribution.

Payback seems to be influenced by the nihilistic violence of [the much overrated] Pulp Fiction (1994), which was then recent in the public memory. There is much bloodshed in Payback, but none of it is very believable. Characters sustain fatal gunshot wounds, but recover long enough to deliver a coherent wisecrack or two, before falling off to sleep.

Payback proceeds with a smirking, tongue-in-cheek tone and vibe. The result is a movie that is not enough of one thing or another. Payback is too grim to succeed as a comedy, it’s too ridiculous to succeed as an action film.

Mel Gibson has starred in some great movies over the years. Payback isn’t one of them.

-ET

VENETIAN SPRINGS

Read it in Kindle Unlimited or paperback!

Mark Baxter thought a trip to the casino would mean easy money. Instead he faces a desperate fight to save his wife from a ruthless narcotics kingpin.

View it on Amazon!

New 38 Special song

I discovered pop/rock music in 1981-2, when I was still in junior high. Because of the longevity of contemporary rock bands, I sometimes come across new material from bands that I first discovered 40 years ago.

This is always a treat, and it always makes me feel younger. (If the rock bands of your youth are still making new music, you can’t be that old, right? That notion works for the Boomers, so why not for Gen X?)

38 Special is one such still-active band from my junior high years. I became a fan of 38 Special back when their 1982 album Special Forces was new, and reached the number 10 spot on the Billboard 200. This album includes several of the group’s classic songs, including, “Caught Up in You” and “You Keep Runnin’ Away”.

The band has just released a new song on YouTube, “All I Haven’t Said”.

There have been some personnel changes since 1982, of course. (I believe 38 Special has a new lead vocalist.) So the sound is a little different, but the same spirit is there.

I like the new song, and I am glad to see that 38 Special is still around and making music.

-ET

Cloudsurfer: my new running shoes

I have been an avid runner since 1984. In more than 40 years of running, I have had relatively few injuries. But all of the injuries that I have had have involved my feet.

As a result, my quest for the perfect running shoe has lasted for 40 years, too. I’ve tried all the major brands at one time or another: Nike, Adidas, New Balance, etc.

I recently acquired this pair of Cloudsurfers, and they are like no running shoes I have ever owned. They are light for speed, but also provide extensive support.

My new Cloudsurfer running shoes

Regular readers will know that I often wax nostalgic about the 1980s. I’m a curmudgeon when it comes to most social media—and don’t even get me started about AI.

But sometimes, the more modern, high-tech solution represents an improvement. Cloudsurfers weren’t available for me to run in back in 1984. I wish such shoes had been on the market in my salad days.

-ET

***Save on Cloudsurfer shoes at Amazon