World War II historical fiction series now available in an omnibus edition

THE CAIRO DECEPTION OMNIBUS BOXSET 

**Spies, lies, and the race for the atom bomb!**

In 1938, the planners in Nazi Germany know that war is coming. They are eager to acquire the atom bomb.

They are working against Allied governments, operating both in Germany and abroad. (And not all of the Reich’s accomplices are German nationals.)

A group of ordinary Americans and Germans are forced to choose sides. Their choices will lead them into a web of betrayal, murder, and espionage.

Their paths meet in Cairo, Egypt, where the Reich is hunting a fugitive atomic physicist. 

The main characters:

Betty Lehman is a 19-year-old girl from Dutch Falls, Pennsylvania. Her family is active in the German-American Bund. Betty has been recruited to betray her country in the service of the Reich.

Rudolf Schenk is an undercover agent of the German Gestapo. He wants to do his duty. But can he abandon his last shred of conscience?

Jack McCallum is an American treasure hunter in Cairo. He falls for two women: one who is working undercover for the Third Reich, one who is fleeing the Gestapo.

Heinrich Vogel is a physicist who fled Germany for Egypt. He and his young adult daughter, Ingrid, face a daily game of cat-and-mouse with the Gestapo. His goal: to reach Britain or America before the Gestapo reaches him and his daughter!

View THE CAIRO DECEPTION BOXSET on Amazon!

Note: The individual books will still be available on the series page!

The Headless Horseman returns

How I wrote a horror novel called Revolutionary Ghosts

Or…

Can an ordinary teenager defeat the Headless Horseman, and a host of other vengeful spirits from America’s revolutionary past?

The big idea

I love history, and I love supernatural horror tales.  “The Legend of Sleepy Hollow” was therefore always one of my favorite short stories. This classic tale by Washington Irving describes how a Hessian artillery officer terrorized the young American republic several decades after his death.

The Hessian was decapitated by a Continental Army cannonball at the Battle of White Plains, New York, on October 28, 1776. According to some historical accounts, a Hessian artillery officer really did meet such an end at the Battle of White Plains. I’ve read several books about warfare in the 1700s and through the Age of Napoleon. Armies in those days obviously did not have access to machine guns, flamethrowers, and the like. But those 18th-century cannons could inflict some horrific forms of death, decapitation among them.

I was first exposed to the “The Legend of Sleepy Hollow” via the 1949 Disney film of the same name. The Disney adaptation was already close to 30 years old, but still popular, when I saw it as a kid sometime during the 1970s.

Headless Horsemen from around the world

While doing a bit of research for Revolutionary Ghosts, I discovered that the Headless Horseman is a folklore motif that reappears in various cultures throughout the world.

In Irish folklore, the dullahan or dulachán (“dark man”) is a headless, demonic fairy that rides a horse through the countryside at night. The dullahan carries his head under his arm. When the dullahan stops riding, someone dies.

Scottish folklore includes a tale about a headless horseman named Ewen. Ewen was  beheaded when he lost a clan battle at Glen Cainnir on the Isle of Mull. His death prevented him from becoming a chieftain. He roams the hills at night, seeking to reclaim his right to rule.

Finally, in English folklore, there is the 14th century epic poem, “Sir Gawain and the Green Knight”. After Gawain kills the green knight in living form (by beheading him) the knight lifts his head, rides off, and challenges Gawain to a rematch the following year.

But Revolutionary Ghosts is focused on the Headless Horseman of American lore: the headless horseman who chased Ichabod Crane through the New York countryside in the mid-1790s. 

The Headless Horseman isn’t the only historical spirit to stir up trouble in the novel. John André, the executed British spy, makes an appearance, too. (John André was a real historical figure.)

I also created the character of Marie Trumbull, a Loyalist whom the Continental Army sentenced to death for betraying her country’s secrets to the British. But Marie managed to slit her own throat while still in her cell, thereby cheating the hangman. Marie Trumbull was a dark-haired beauty in life. In death, she appears as a desiccated, reanimated corpse. She carries the blade that she used to take her own life, all those years ago.

Oh, and Revolutionary Ghosts also has an army of spectral Hessian soldiers. I had a lot of fun with them!

The Spirit of ’76

Most of the novel is set in the summer of 1976. An Ohio teenager, Steve Wagner, begins to sense that something strange is going on near his home. There are slime-covered hoofprints in the grass. There are unusual sounds on the road at night. People are disappearing.

Steve gradually comes to an awareness of what is going on….But can he convince anyone else, and stop the Headless Horseman, before it’s too late?

I decided to set the novel in 1976 for a number of reasons. First of all, this was the year of the American Bicentennial. The “Spirit of ’76 was everywhere in 1976. That created an obvious tie-in with the American Revolution.

Nineteen seventy-six was also a year in which Vietnam, Watergate, and the turmoil of the 1960s were all recent memories. The mid-1970s were a time of national anxiety and pessimism (kind of like now). The economy was not good. This was the era of energy crises and stagflation.

Reading the reader reviews of Revolutionary Ghosts, I am flattered to get appreciative remarks from people who were themselves about the same age as the main character in 1976:

“…I am 62 years old now and 1976 being the year I graduated high school, I remember it pretty well. Everything the main character mentions (except the ghostly stuff), I lived through and remember. So that was an added bonus for me.”

“I’m 2 years younger than the main character so I could really relate to almost every thing about him.”

I’m actually a bit younger than the main character. In 1976 I was eight years old. But as regular readers of this blog will know, I’m nostalgic by nature. I haven’t forgotten the 1970s or the 1980s, because I still spend a lot of time in those decades.

If you like the 1970s, you’ll find plenty of nostalgic nuggets in Revolutionary Ghosts, like Bicentennial Quarters, and the McDonald’s Arctic Orange Shakes of 1976.

***

Also, there’s something spooky about the past, just because it is the past. As L.P. Hartley said, “The past is a foreign country; they do things differently there.”

For me, 1976 is a year I can clearly remember. And yet—it is shrouded in a certain haziness. There wasn’t nearly as much technology. Many aspects of daily life were more “primitive” then.

It isn’t at all difficult to believe that during that long-ago summer, the Headless Horseman might have come back from the dead to terrorize the American heartland…

View REVOLUTIONARY GHOSTS on Amazon

Memorial Day 2024

Hello, Dear Reader. I hope you have a safe and happy Memorial Day, and remember those who made the ultimate sacrifice in the service of the USA.

For traditional holidays like this one, you can’t beat Norman Rockwell. The artist painted the above work, Homecoming Marine, in 1945. 

If you look closely, you’ll see that the painting conveys a significant amount of backstory. The young marine, and his relationship to the setting, are evident in the painting. The painting also gives us a rough idea of where he served. (Hint: not Europe.)

The obvious youth of the marine in the painting reminds me that at 55, I am now decades older than most of those who served in World War II and all subsequent wars.

I am also humbled. I have never served in the military. But I send out my appreciation and respect to those who have, and do.

-ET

 

 

‘The Americans’, all six seasons

I am a diehard fanatic of only a handful of books, movies, and musical oeuvres. And I evangelize only a subset of those.

For example, I love the music of Rush and Iron Maiden; but I don’t consider the appeal of these bands to be universal, by any means. Likewise, I realize that a coming-of-age movie that spoke volumes to me in 1984 might not have the same significance for a teenager of 2024. Or for a Boomer who was a teenager in 1964, for that matter.

But everyone should see The Americans.

The Americans is part family saga, part period drama, and part espionage thriller. The show is set in both America and Russia during the last decade of the Cold War.

I watched The Americans in its entirety during the show’s original primetime run on FX from 2013 to 2018. During those years, I looked forward to each new episode.

I loved the series so much, I recently decided to watch it again. But as is so often the case with these modern conveniences of ours, the situation has been made less convenient than it would have been in pre-Internet days. No longer do non-primetime shows circulate to rerun syndication in non-primetime hours. They move to paid streaming platforms.

If you want to see all six seasons of The Americans in 2024, you have several options. You can pay to download each episode from Amazon, or you can purchase a subscription to Hulu, where the series is now streaming.

Or you can purchase the complete series on DVD. I determined this to be my best and most cost-effective option. The above package arrived on my doorstep from Amazon yesterday.

I look forward to watching this series again from beginning to end. And if you haven’t yet seen The Americans, you might consider buying the DVDs, too. They are still in stock on Amazon.

-ET

Reading notes: ‘Fairy Tale’ by Stephen King

I just finished reading Stephen King’s fantasy-horror-adventure novel, Fairy Tale.

This being a recent Stephen King novel, it’s been summarized in detail throughout the Internet, so I’ll stick with the high points here.

Length, scope, and pacing

This is a long book (almost 600 pages).

Fairy Tale begins with a coming-of-age plot, something that Stephen King has always done well. That goes on for about 200 pages before the fantasy part really gets going.

The fantasy portion of the novel takes place in a parallel world called Empis. Fairy Tale is almost like two stories stuck together. Depending on your tastes, that may be a feature, and it may be a bug. 

Overall, Fairy Tale takes a long time to get going. The grand finale is a page-turner, but there are long sections of this very long book that are extremely slow-burn, and kind of a slog.

Stephen King’s evolved style

I should provide a bit of context here. Sometime in the late 1980s/early 1990s, Stephen King’s style changed dramatically. In the 1970s and early 1980s, he wrote plot-driven stories that were tightly structured with minimal fat (Stephen King’s well-known aversion to outlining notwithstanding).

I became a rabid King fan based on the early novels: ‘Salem’s Lot, Christine, The Dead Zone, The Shining, etc. 

Some of those early books were actually quite long. But you never noticed, because the plots were so engaging. 

Later on, King started writing long, meandering novels like Duma Key, Desperation, The Outsider, etc. I first noticed the change in style with It (1986), but the longer, slower storytelling has been a consistent feature of Stephen King’s writing for decades now.

And some fans, I should note, prefer the later style. 11/22/63 is an 850-page fantasy/alternate history tale that was published in 2011. It has a huge fanbase. It left me very lukewarm. Give me Pet Sematary or Cujo any day.

Or better yet, King’s first short story collection, Night Shift

Among the books that King has written and published since 1990, I have definitely tended to prefer the novellas, short story collections, and short novels. I particularly liked Joyland (2013) and The Girl Who Loved Tom Gordon (1999). 

Am I glad I read ‘Fairy Tale’?

Overall, yes. This is still a good book, compared to most of the horror/fantasy novels being published nowadays. 

I am admittedly prejudiced, because as an early (since 1984) reader of Stephen King, I always want him to write the kind of book that he might have written in 1978 or 1982.  And lo and behold, he rarely does. 

That’s rather presumptuous on my part, of course…especially since Stephen King’s longer, less plot-driven style has been a thing for 30 years now.  

-ET

**View FAIRY TALE by Stephen King on Amazon**

‘Cycle of the Werewolf’ memories

Some books bring back memories. And so it is for me, with Stephen King’s illustrated novella, Cycle of the Werewolf.

I remember purchasing this book at the B. Dalton bookstore in Cincinnati’s Beechmont Mall in the mid-1980s. I had only recently become a Stephen King fan, and I was working my way through his entire oeuvre, which then consisted of about ten years’ worth of novels and collections.

The copy I bought in the 1980s has long since been lost. I’m glad to see that the book is still available, with the original illustrations from Bernie Wrightson. 

You can get a copy of Cycle of the Werewolf on Amazon by clicking here

-ET

Reading John Jakes, again

I discovered the books of historical novelist John Jakes (1932 – 2023) as a high school student during the 1980s. The television miniseries adaptation of his Civil War epic, North and South, aired in 1985.

North and South was extremely well-done for a network (ABC) television production of the mid-1980s. The cast included Patrick Swayze, Kirstie Alley, David Carradine, Lesley-Anne Down, and Parker Stevenson. The sets were realistic and the production values were high.

After watching that, I decided to give John Jakes’s books a try. I read North and South (1982), plus the subsequent two books in the North and South trilogy, Love and War (1984) and Heaven and Hell (1987).

Then I delved into The Kent Family Chronicles. The books in this long family saga were published between 1974 and 1979. These are the books that really put Jakes on the map as an author of commercial historical fiction.

I emphasize commercial. John Jakes never strove for the painstaking historical accuracy of Jeff Shaara, or his approximate contemporary, James Michener. Jakes’s first objective was always to entertain. If the reader learned something about the American Revolution or the Civil War along the way, that was icing on the cake.

As a result, John Jakes’s novels lie somewhere along the spectrum between literary fiction and potboilers. His characters are memorable and he imparts a sense of time and place. But these are plot-driven stories.

At the same time, Jakes’s plots have a way of being simultaneously difficult to believe and predictable. Almost all of his books have a Forrest Gump aspect. His characters are ordinary men and women, but they all seem to rub shoulders with figures from your high school history classes.

That said, Jakes is one of the few authors whose books pleased both the teenage me and the fiftysomething me. This past year, I started rereading The Kent Family Chronicles, and catching up on the few installments I missed back in the 1980s. I have changed as much as any person changes between the ages of 17 and 55, but I still find these books to be page-turners.

This past week, I started listening to the audiobook version of California Gold. This one was published in 1989, after Jakes’s long run of success with The Kent Family Chronicles and the North and South trilogy.

California Gold is the story of Mack Chance, a Pennsylvania coal miner’s son who walks to California to seek his fortune in the 1880s.

I will be honest with the reader: I don’t like California Gold as much as Jakes’s earlier bestsellers. California Gold is episodic in structure, and the main character is far less likable than some of Jakes’s earlier creations. In California Gold, Jakes indulges his tendency to pay lip service to the issues of the day (in this case: the budding American labor movement and early feminism) through the voices of his characters. Most of these pronouncements are politically correct and clichéd.

Worst of all, California Gold employs sex scenes as spice for low points in the plot. This is always a sign that a writer is struggling for ideas, or boring himself as he writes. When Jakes wrote California Gold, he may have been a little burned out, after writing The Kent Family Chronicles and the North and South trilogy.

California Gold, though, won’t be tossed aside on my did-not-finish (DNF) pile. This is still a good novel. Just not the caliber of novel I’d come to expect from John Jakes. No novelist, unfortunately, can hit one out of the park every time.

-ET

**Quick link to John Jakes’s titles on Amazon

My first Atari, Christmas 1981

Atari 2600 (1980 – 1982)

There really was something special about growing up in an era when video games were not old hat, but something brand-new and on the cutting edge of the technology of that time.

I suppose I like my 21st-century iPhone and my MacBook as much as the next person, but they are tools for me, not objects of indulgence. I don’t think I’ve ever enjoyed anything quite as much as that first Atari console I received for Christmas in 1981.

Did I have a favorite game? Of course I did. Space Invaders, hands down. Missile Command came in a close second, though.

**Shop for retro video game consoles on Amazon (quick link)**

The eclipse that wasn’t

Today’s solar eclipse was a bit anticlimactic here in Cincinnati. The local news channels all predicted a 99.2 percent eclipse in my area just outside the city. 

That didn’t happen, not by a long shot:

Me, eagerly awaiting the full eclipse as the shadows start to lengthen
This is going to get good any minute now! I tell myself. But I am already growing skeptical.
The high point of the eclipse, at around 3:20 p.m. EST. The sun has been noticeably dimmed, but it’s a long way from dark.

What can I say? Here in Cincinnati, the local weather forecasts are right only about 50 percent of the time. Why should the eclipse forecast be any different?

This was worth walking outside for, but I’m glad I didn’t make a day of it. 

I hope the eclipse was better for you, if you live in an area that was forecast to experience it. 

-ET

A Kindle corporate thriller deal to last the weekend

“Business consultant Craig Walker is paid to do the dirty work of his corporate clients. But will he draw the line at murder?”

View it on Amazon

Termination Man is a corporate mystery/thriller. I wrote this story in 2012, and it was inspired by my experiences in the automotive industry.

I also took inspiration from some of the more unsavory corporate HR practices I’d read about, including the controversial practice of “managing out” an unwanted employee. (This basically means: making the employee’s life so unpleasant that he or she will want to quit.)

Who should read Termination Man? This is a good fit for readers who already like the corporate/financial thrillers of Joseph Finder. Fans of John Grisham will find significant overlap, too.

Termination Man will be available on Amazon Kindle at a reduced price through the end of this weekend. Kindle Unlimited members can read it there gratis, too.

Finally, if you’d like to sample before you commit, you can read the first few chapters of the book on EdwardTrimnellBooks.

-ET

**View TERMINATION MAN on Amazon**

Bobby Mackey’s: a haunted place near my home

It’s no wonder I’ve written so many horror novels. My local area is filled with urban legends and reputedly haunted locations.

One of those is Bobby Mackey’s Music World in Wilder, Kentucky. (I live in suburban Cincinnati, Ohio. But Wilder, Kentucky is less than thirty minutes from my front door. I’m a hop, skip, and a jump from the Ohio River.)

Bobby Mackey’s has been the subject of many paranormal studies and documentaries over the decades. I won’t venture a guess as to whether or not the site is haunted, but the building (a former slaughterhouse) is loosely associated with a gruesome murder that occurred in 1896.

The murder itself is a matter of historical record. Two men beheaded a young woman, Pearl Bryan, nearby. Bryan was pregnant at the time, and one of the murderers was the father. 

The killers were promptly caught and hanged for the despicable crime. But Pearl’s head was never found.

Guess where urban legends say the head ended up? Bryan’s headless body was found 2.5 miles away, in Fort Thomas, Kentucky. But if you believe the local legends, the killers tossed Pearl’s severed head down a well in the basement of the slaughterhouse that would become Bobby Mackey’s Music World in 1978. 

Photo by Nicolas Henderson

Over the years, many patrons of Bobby Mackey’s have reported various phenomena: cold spots, disembodied voices, and worse. Above the main bar hangs a disclaimer, stating that the building is haunted, and that management is absolved of all responsibility for injuries or trauma caused by wayward spirits. 

I’ve also talked to patrons who report that the only danger is the very living, very human clientele. Bobby Mackey’s has a reputation as a mildly dangerous place. Despite its popularity on the ghost tour circuit, the bar draws a rough-and-tumble crowd on the weekends. But if you’re a certain kind of person, that’s part of the charm, maybe.

No, I have never been there myself. Partly because I don’t like the bar scene (especially the country music bar scene), and partly because I don’t like to tempt the paranormal…especially when demonic forces are said to be involved, as is the case here.

I don’t know if the stories about Bobby Mackey’s Music World are true or not, but I don’t want to find out.

And now it looks like I won’t get the chance, anyway. The 76-year-old Bobby Mackey is moving his business to a new, and hopefully unhaunted, location nearby. 

This blog wishes Mr. Mackey success at the new site.

-ET

How about a haunted road story set in Ohio?

***View ELEVEN MILES OF NIGHT on Amazon***

Reading notes: ‘Gulag: a History’ by Anne Applebaum

I’m a child of the Cold War. I was twenty-one when the Berlin Wall fell in 1989. I well remember the Soviet Union as a topic on the evening news. I grew up with a dark fascination with the USSR. I am always interested in acquiring new books and other materials about it.

I was therefore eager to listen to Anne Applebaum’s book: Gulag: A History. Although she’s recently taken to opining about current events on Twitter, Applebaum is the author of a handful of books on Soviet history.

Gulag, as the title suggests, is focused on the Soviet work/concentration camp system, which often housed political prisoners.

Gulag is a thoroughly researched book. Applebaum draws not only on Soviet-era documents, but also on extensive interviews she conducted with camp survivors.

The book has no ideological ax to grind. Applebaum doesn’t soft-pedal the human cost of the Soviet gulag system. Nor does she endlessly bludgeon the reader with authorial intrusions of shock and disapproval. Applebaum assumes that the reader can make her own moral judgments.

While there are passages about the leadership of the USSR and Kremin-level politics, the emphasis of the book is on the prisoners’ experience. Gulag gives the reader a sense of what it was like to have been an inmate in a Soviet prison camp, as much as any book could.

The only downside to this approach is that the many, many firsthand stories sometimes overload the reader with repetitive details.

I’m listening to the audio version of this book, but the printed version is 736 pages. My guess is that 436 pages could have accomplished the same ends in a more succinct manner.

But no book, either fiction or nonfiction, is perfect. Gulag: A History is a worthwhile read for anyone with a serious interest in Soviet history.

-ET

**View GULAG: A HISTORY on Amazon** 

Audiobooks while you mow

Or podcasts, for that matter. Or music.

I am a big fan of  making use of all available time. During the spring and summer months, I mow two suburban lawns. That means about three hours of walking behind a lawnmower.

Here’s the problem, though: ordinary earbuds don’t provide sufficient hearing protection while you’re mowing the lawn. Nor are you likely to hear much of what you’re listening to, unless you only want to listen to KISS and AC/DC.

If you want to listen to spoken audio content while you mow the lawn, or operate other kinds of machinery, then you need to get a pair of WorkTunes Connect Hearing Protectors with Bluetooth Technology Headphones, made by 3M. 

It took me only a minute to sync my pair with my iPhone, which is loaded with podcasts and audiobooks. These headphones muffle the sound of my lawnmower to a very small background rumble, and I can hear the spoken audio content perfectly.

You can also accept incoming calls on these bad boys. Even with the lawnmower going, the party on the other end of the call can hear you perfectly if you speak at normal volume.

Highly recommended for audiobook enthusiasts who mow their own lawns. Audiobooks make the task of lawn-mowing much more pleasant.

**Get a pair on Amazon

AI narration: an experiment

One of the dominant players in the AI audiobook narration field recently offered access to its platform at a deep discount.

As an author, it behooves me to keep up with such things, even when I have my doubts. I have long been skeptical of the much-ballyhooed AI panacea. But I thought I should try AI narration before I completely wrote it off.

And like I said: the company was offering a deep discount.

I gave the whiz-bang AI narration platform a try. It does indeed output a narration from text. 

That narration is far from perfect. Not something that I would package as a for-sale audiobook…not at this point.

But I might use it for some short stories for YouTube and my website.

More on this later…

-ET

Classical music in small doses 

Amadeus, the biographical drama about the life of Wolfgang Amadeus Mozart, was one of the most critically acclaimed movies of the mid-1980s. Starring F. Murray Abraham, Tom Hulce, and Elizabeth Berridge, Amadeus brought the famed 18th-century composer and his times to life.

Amadeus remains one of my favorite movies of all time. But when I saw it for the first time, as a teenager in the 1980s, I was inspired: I had a sudden desire to learn more about classical music, or at least about Mozart.

This was more than a little out of character for me at the time. As a teenager, my musical tastes ran the gamut from Journey to Iron Maiden, usually settling on Rush and Def Leppard.

So I read a Mozart biography. I was already an avid reader, after all. Then it came time to listen to the actual music. That’s when my inspiration fell flat.

I found that Mozart the man was a lot more interesting than his music. At least to my then 17-year-old ears. Nothing would dethrone rock music, with its more accessible themes and pounding rhythms.

Almost 40 years later, I still prefer rock music. In fact, I still mostly prefer the rock music I listened to in the 1980s.

Wolfgang Amadeus Mozart, 1781 portrait
**View Mozart biographies on Amazon**

Recently, however, I took another dive into classical music.

Classical music, like popular, contemporary music, is a mixed bag. Some of it is turgid and simply too dense for modern ears. Some pieces, though, are well worth listening to, even if they were composed in another era.

Barber’s “Adagio for Strings” is one such piece. For the longest time, I mistakenly assumed that this arrangement was written for the 1986 Vietnam War movie, Platoon, in which it is prominently figured.

I was wrong about that. “Adagio for Strings” was composed in 1938, long before either Platoon or the Vietnam War.

“Adagio for Strings” is practically dripping with pathos. It is the perfect song to listen to when you are coping with sadness or tragedy. This music simultaneously amplifies your grief and gives it catharsis. You feel both better and worse after listening.

“Adagio for Strings” was broadcast over the radio in the USA upon the death of President Franklin D. Roosevelt in 1945. It was played at the funeral of Albert Einstein ten years later. The composition was one of JFK’s favorites; and it was played at his funeral, too, in 1963.

Most of the time, though, you’ll be in the mood for something more uplifting. That will mean digging into the oeuvre of one or more of the classical composers.

While the best-known composers (Mozart, Bach, Beethoven, etc.) all have their merits, I am going to steer you toward Czech composer Antonin Dvorak (1841-1904) instead.

Dvorak was born almost a century after Mozart and Beethoven, and longer than that after Bach. To my philistine ear, Dvorak’s music sounds more modern, while still falling within the realm of the classical.

Antonin Dvorak

I would recommend starting with Symphony Number 9, Aus der Neuen Welt (“From the New World”). This is arguably Dvorak’s most accessible work, and my personal favorite at present. Symphony Number 9 contains a lot of moods. It takes you up and down, and round again.

This is not the story of an older adult turning away from the pop culture of his youth for more sophisticated fare. Far from it. Dvorak is not going to replace Def Leppard on my personal playlist. Bach and Mozart have not supplanted Rush and AC/DC. 

But time has made me more musically open-minded. Almost 40 years after I was inspired by the movie Amadeus, I have, at long last, developed a genuine appreciation for classical music.

But that is a qualified appreciation, for an art form that I still prefer in measured doses.

-ET