It’s an ordinary spring afternoon in suburban Cincinnati, 1980.
Eighteen-year-old Michelle Blevins is home with her younger brother when a stranger rings the doorbell.
The stranger is wearing a blazer, tie, and aviator sunglasses. He says he represents a local law firm. He says Michelle’s parents are in trouble.
And he really wants to come inside.
That’s the setup for “The Door-to-Door Man,” my latest original short story for YouTube.
Those of us who grew up in the 1970s and 1980s will remember that this was the era of “stranger danger.”
In some ways, the world was considerably less connected than it is today. There were no cell phones, doorbell cameras, GPS trackers, or Internet searches. If a stranger appeared at your front door, you couldn’t pull out your phone and immediately find out who he was.
At the same time, people were becoming increasingly aware that the world wasn’t necessarily as safe as they had once imagined.
Serial killers, violent crime, and mysterious disappearances regularly made the news. Parents warned their children about strangers. And yet it was still perfectly normal for unfamiliar people—salesmen, repairmen, deliverymen, religious solicitors, and others—to simply walk up to your house and ring the doorbell.
That combination provides the backdrop for “The Door-to-Door Man.”
I’ve been experimenting with writing very short fiction specifically for YouTube: complete stories that can be read or listened to in a single sitting, accompanied by atmospheric visuals.
“The Door-to-Door Man” is one of these stories. It’s a tale of suspense rather than supernatural horror. There are no ghosts, monsters, or paranormal forces here. Just an ordinary young woman, an ordinary suburban house—and a stranger at the door who may not be what he claims to be.
You can watch and listen to the complete story in the video accompanying this post.
If you enjoy “The Door-to-Door Man”…
You might also want to check out my DEADLY BYWAYS series.
Deadly Byways consists of six novels set in the late 1970s and early 1980s. Like “The Door-to-Door Man,” these stories explore the darker side of an era that many of us remember with nostalgia—but which had plenty of dangers and shadows of its own.
If you enjoy suspense stories about ordinary people confronting extraordinary dangers—especially stories set against the backdrop of America several decades ago—DEADLY BYWAYS may be for you.
In the meantime, I hope you enjoy “The Door-to-Door Man.”
And remember: be careful who you open your front door to.
About a decade ago, I read a review of Mary Miller’s 2014 novel, The Last Days of California, in a print magazine. The reviewer, a book critic whom I knew by name and trusted, highly recommended Miller’s novel.
I was skeptical. The Last Days of California is a teenage girl’s coming-of-age story. I was a middle-aged man. Not long before that, a young woman in my social circle had recommended John Green’s emotional teen novel The Fault in Our Stars. Against my better judgment, I had purchased The Fault in Our Stars and tried to read it. I was unable to finish—not because The Fault in Our Stars was a bad book, but simply because I was the wrong reader for it.
Nevertheless, I ordered The Last Days of California from Amazon. The book promised to be not only a coming-of-age story, but also a story about the dynamics of 21st-century family life with a little bit of the culture wars mixed in. I was intrigued.
I’m glad I took a chance on The Last Days of California. It turned out to be a wonderful story, even though this is the kind of book I rarely read. (My personal reading tastes veer more toward Michael Connelly and Lee Child.)
But the collective readership of Amazon and Goodreads does not agree with me—at least not the ones who are leaving ratings and reviews. At the time of this writing, The Last Days of California has a 3.5 cumulative average on Amazon and a 3.4 cumulative average on Goodreads.
If I had consulted the online peanut gallery, I would have skipped Mary Miller’s book entirely. Fortunately, by 2014 I already knew the truth about mass online review venues like Amazon and Goodreads.
The Last Days of California, by Mary Miller (Amazon product page, 8/25/2026)
In 2012, it was discovered that John Locke, a bestselling indie author famous for his Donovan Creed series, purchased reviews from review farms. He personally compensated some other reviewers.
Black hat practices like that are harder to carry out in 2026. (There was a widespread backlash over the John Locke scandal, and Amazon took some steps to penalize outright review scammers.)
But gray hat practices persist in the publishing industry. Major publishers and imprints retain lists of friendly reader-reviewers, who can always be counted on to give a particular author a 5-star review. Indie authors are not far behind. Most know better than to specifically compensate for reviews, but there are still indie authors who will raffle iPads for their reader-reviewers. That sends a message—and broadcasts certain incentives. Continue reading “Online book reviews and ratings: take them with a large grain of salt”
I am drawn to foreign locations. Some of you know that I’m an avid, lifelong student of foreign languages.
At the same time, travel involves many unknowns. There is a lot that can go wrong… especially if you encounter supernatural entities at your destination.
That’s the idea behind my Terrifying Travels series.
The most recent addition to the series is THE WITCHES OF HARMONY, which involves restless 17th-century spirits in the fictional Greater Boston town of Harmony, Massachusetts. Check it out on Amazon.
Amazon book description:
Some business trips are better left unbooked.
Bill Preston has spent years traveling the country for his job, working trade shows in convention centers from one coast to the other. So when he’s assigned to an industrial expo in Harmony, Massachusetts, he expects another routine week on the road.
Then a coworker warns him about Harmony.
He won’t say exactly what happened there. Only that he never wants to go back.
Bill soon discovers that Harmony is a picture-perfect New England town with a history no one wants to discuss. There are whispered stories about witches who escaped the Salem trials—only to meet a more terrible fate in Harmony.
There are warnings not to go outside after dark.
And there are things in Harmony that only certain people can see.
Bill considers himself a rational man. He doesn’t believe in witches, ghosts, or ancient curses.
But something in Harmony has noticed him.
And before this business trip is over, Bill may discover that some places never escape their past.
The Witches of Harmony is a supernatural horror tale of haunted history, business travel, and a New England town with a secret it has been keeping for more than three hundred years.
Today Vietnam vets are older men in their seventies and eighties. But when I was growing up in the 1970s and 80s, Vietnam vets were young middle-aged men in their thirties and forties.
When I was very young, Vietnam vets were still in their twenties. I was born in 1968, so I have no direct memories of the Vietnam War. I do, however, remember its immediate aftermath. It was a common topic of conversation in the mid-1970s. In those days, the war—as well as the political and social turmoil of the 1960s—were very much in recent memory.
Movies about the American War and Vietnam began to appear in the 1970s. These include Apocalypse Now and The Deer Hunter. Although Taxi Driver is not technically a movie about the Vietnam War, its central character, Travis Bickle, is a disturbed Vietnam War veteran.
And this was the common “meme,” to use an internet-age word: the disturbed Vietnam War veteran. In film and literature, Vietnam vets were often portrayed as brooding, volatile individuals.
It wasn’t until the 1980s that the American Vietnam War experience began to be portrayed with a bit more nuance. The release of the Vietnam War film Platoon, a commercial and critical success, portrayed the Vietnam War as a complex situation in which American soldiers often had to choose the least bad option. As the 1980s concluded, portrayals of Vietnam vets became far less simplistic, more diverse, and more respectful.
I would never attempt to write a novel about the Vietnam experience itself. But I did include a Vietnam vet in my Gen X coming-of-age novel, No Sure Thing. The novel is primarily the story of Paul Nelson, a 19-year-old University of Cincinnati student. But Paul’s mentor, Ron McNab, is a 42-year-old Vietnam vet. (No Sure Thing is set in 1988.)
I would describe the character of Ron McNab as half-fictional. Throughout my formative years, I met many Vietnam vets who shared their experiences with me. Several of them became an inspiration for Ron.
Over time, however, I realized that the setting itself had far more stories to tell.
Halloween in suburban Cincinnati during the Gen X era provides a unique backdrop for supernatural fiction. Kids still roamed neighborhoods after dark without cell phones. Parents gave them a little more freedom. Familiar streets, parks, and neighborhoods became places of mystery once the sun went down.
That world is simply too rich to leave behind after a single novel.
My newest story, The Gold Coin and the Crow, expands that universe.
Like 12 Hours of Halloween, it takes place on Halloween night in 1980. It features a different cast of characters and tells a completely standalone story, so you can read it whether you’ve already read the novel or not.
The story begins with what seems like a simple trick-or-treat stop. A strange homeowner has no candy to offer, but he does have something far more tempting: nineteenth-century gold coins scattered throughout his backyard.
There is only one catch.
You have to get past the crow.
From there, the story becomes an increasingly strange journey into the supernatural, filled with the nostalgic atmosphere of suburban Halloween nights, childhood curiosity, and the unsettling feeling that the ordinary world may not be quite as ordinary as it appears.
If you enjoyed the mood, setting, and Gen X nostalgia of 12 Hours of Halloween, I think you’ll feel right at home in The Gold Coin and the Crow.
This is also just the beginning.
My goal is to continue expanding the 12 Hours of Halloween story world with additional tales set during different Halloween seasons, following different characters, and exploring new supernatural mysteries—all while returning to the same familiar world of autumn nights, suburban neighborhoods, and the strange things that sometimes happen when the barriers between worlds grow thin.
Throughout the world, people who make Internet inquiries about Kuwa6226 meet violent deaths.
In online forums and chatrooms, people are warned not to mention the mysterious entity.
But who, or what, is Kuwa6226? A supernatural force? A cult? A global conspiracy?
Most people say that it’s better not to ask…and Kuwa6226’s reign of terror goes unchallenged.
***
Then two unlikely sleuths, from opposite sides of the world, unite.
Minoru Watase is a corporate IT employee in Japan. Julie Lawrence is a college student in the American Pacific Northwest.
Julie and Minoru have each lost a friend to Kuwa6226. Together, they are determined to discover Kuwa6226’s true identity and eliminate the menace.
Their search will take them from the streets of Tokyo to an American college town in Washington State. When they finally come face-to-face with Kuwa6226, Julie and Minoru will be unprepared for the revelation…and the ruthlessness of their adversary!
Kuwa 6226 is a horror-mystery with endless twists and turns!
No cell phones. No GPS. No cameras everywhere. People hitchhiked. Strangers disappeared. And a lonely road could take you somewhere you never intended to go.
DEADLY BYWAYS is my new six-book series of character-driven crime stories set against the dangerous roads and hidden places of the late 1970s and early 1980s.
The first book, THE DUNGEON, is set in 1979.
All six books will be released during the second half of 2026.
THE DUNGEON is available now on Kindle and in Kindle Unlimited.
The Woman in Crosley Tower is a new title for preorder in my Uncanny Ohio series. It’s a novella of about 24,000 words. The novella will be released on June 26, 2026.
This horror/dark fantasy story is based on a single question: What would happen if a woman disappeared inside a building in the University of Cincinnati during the summer of 1987, and emerged 39 years later?
There is a lot more to it than that, of course. This is a story for fans of parallel world stories, and tales of liminal zones (like the “backrooms” urban legend). And since much of the story is set in 1987, there is also a generous portion of Gen X nostalgia, an element which is rapidly becoming part of my “brand”.
The Woman in Crosley Tower will be initially released in digital-only format (Kindle). For those of you who like to read on paper (and there’s absolutely nothing wrong with that, of course!) the title will be released in a combined volume with several other Uncanny Ohio titles later in the summer/fall.
Also, The Woman in Crosley Tower will be in Kindle Unlimited, at least for the foreseeable future. So you can read it there if you’re a Kindle Unlimited subscriber.
In the mid-1980s, I became a rabid fan of Stephen King. My fandom started with a random confluence of events, as so many things do.
My sophomore year of high school, I had a job manning the checkout desk at my school’s library during my study hall period. So I had plenty of exposure to books. One day, I happened across a paperback copy of Stephen King’s ‘Salem’s Lot.
The novel had been made into a two-part television miniseries five years earlier (1979). I had seen the miniseries, and it had creeped me out. I remembered enough about the miniseries to know what the novel would be about, but not enough to ruin the book for me.
I was instantly hooked. I blazed through ‘Salem’s Lot in only a few days. After that, I checked out every book in the school library that was written by Stephen King.
When I exhausted the school library shelves, I turned to the Waldenbooks and B. Dalton stores at the local mall. This was in the mid-1980s. By this time, Carrie, The Shining, Cujo, and Christine were already published.Rose Madder, The Green Mile, and 11/22/63 were still years in the future.
Teenagers are natural-born fanatics. During those years, I was a fanatic of Stephen King’s work in the same way that I was a fanatic of the music of Rush and Led Zeppelin. During the remainder of my high school years, I read Stephen King’s novels and short story collections with a dogged, joyful determination. I wanted to read everything he had written to that time. (And given Stephen King’s prolificness as a writer, there was a lot to read even then, in the mid-1980s).
By the time I graduated from high school in the spring of 1986, my dedicated reading had more or less caught up with Stephen King’s prolific writing. But a few months later, Stephen King had a new novel out, and it was widely billed as the writer’s magnum opus.
I looked forward to the book weeks before it came out.
The “it” I’m talking about is It, Stephen King’s mammoth horror epic. The book was released on September 15, 1986. I purchased my copy that very same day. I know this, because I preordered the book from the B. Dalton’s at my local shopping mall.
I remember starting the book while on a break at my university library. (I attended Northern Kentucky University in the fall of 1986.) To say that I was in an anticipatory mood would be a gross understatement. Here was 1,138 pages of new fiction from myfavorite author.
Original hardcover dust jacket for It, 1986
What followed was one of my first experiences in youthful disillusionment (Many more were to follow, of course; but those are other episodes for other essays). It dragged. The novel contained too many subplots, too much padding, and a long, saggy middle.
What I loved about Cujo, Carrie, and the short stories in Night Shift were King’s fast pacing, narrative discipline, and literary economy. Most of these early works were written when Stephen King was still establishing himself as a writer, and was therefore subject to marketplace competition.
By 1986, though, Stephen King was already a celebrity writer. His short story “Trucks” had been made into a movie that summer, Maximum Overdrive. King was frequently interviewed, and widely known as “the Master of the Macabre”. He had even done a television commercial for American Express. In 1986, American pop culture was still characterized by scarcity and monolithic names. In popular fiction, King was one of those monoliths, alongside big names like Danielle Steel and Tom Clancy.
Stephen King on the cover of Time magazine, 1986
No discussion of It would be complete without mentioning the book’s controversial sex scene—what amounts to an orgy among its adolescent characters.
As a mature adult in 2026, I am supposed to get in a high dudgeon about the potential exploitation issues involved here. Back in 1986, very few adults did. There were some raised eyebrows, sure; but no public outcry greeted It, not even among members of the religious right. They were too busy lobbying to get Playboy and Penthouse banned from 7-Eleven.
But there was another factor in play for me, at the time. Keep in mind that in the fall of 1986, I was barely 18 years old myself, and only a few months out of high school. I was much closer in age to the members of the Losers Club than to the novel’s middle-aged author. Did my youthful age place me adjacent to something exploitive? Was I somehow a victim in all of this, too? Teenagers of the 1980s were not programmed to ask such questions.
Even at that age, though, I sensed that something was odd about this scene in It. I remember wondering if, perhaps, Stephen King had been drunk or high while writing this scene. (In light of King’s subsequent revelations about his substance abuse struggles during this period, my speculations may not have been too far from the mark.)
The sex scene involving the adolescent members of The Losers Club may or may not have been exploitative. It was, however, inappropriate and unnecessary, and definitely jarred me out of the story.
Forty years after the publication of It, Stephen King is still writing novels and I am still a fan.
Nowadays, however, I tend to read his work more selectively. King’s novellas and short stories are as engaging for me as ever. I often skip his longer, doorstop-size novels. I struggled to get through The Outsider, 11/22/63, and Fairy Tale.
Likewise, my early, teenage attempts at writing fiction were thinly disguised attempts at imitating Stephen King. But after all these years, and so many books of my own, I don’t sense much of King’s influences in my own work anymore. (I will, however, forever admire the stories in his first collection, the aforementioned Night Shift (1978). Every one of those stories is a gem.)
Stephen King is now almost 80, and I’m, well…a lot older, too. I hope King has many more years of writing ahead of him. I can’t promise to read all of his novels, but I’ll always show up for his short story collections.
I have a new release: Family Secrets. Here’s what it’s about (Amazon description):
“When a Cincinnati businessman connects with a distant cousin on Facebook, he agrees to stop by the man’s remote rural property on his way home from a business trip.
The visit should have lasted thirty minutes.
Instead, he finds himself trapped in a doublewide trailer deep in the woods, drawn into the disappearance of a local girl, and forced to search a dark pond for a body that may—or may not—be there.
But something else is moving through the woods that night.
Something ancient and hungry.
Family Secrets is a supernatural mystery/thriller inspired by regional folklore, nightmares, and the eerie landscapes of the Midwest.”
This is the second book in a new series I’ve created: Uncanny Ohio:
“Uncanny Ohio is a series of atmospheric supernatural tales set in southern Ohio, in and around the Cincinnati area. Traditional ghost stories and urban legends with a strong regional flavor.”
This was a natural move for me. Many of my supernatural stories are set in southern Ohio, and take inspiration from the ghost stories and urban legends that I absorbed as a kid in the 1970s and 1980s.
Family Secrets is currently enrolled in Kindle Unlimited.
A married woman in the suburbs develops a sudden and inexplicable interest in graveyard photography. Her husband wonders what’s going on with her.
But what secrets is her husband hiding?
Such is the setup of Involuntary Deeds, my new supernatural/psychological horror novella. The novella is set in Clermont County, Ohio, about twenty miles east of Cincinnati.
Involuntary Deeds is presently available on Amazon. It will be rolled out to the other major retailers (Kobo, Barnes & Noble, Google Play, and Apple Books) in the coming weeks.
Amazon description:
Some crimes don’t stay buried.
Pam Vance never cared about cemeteries—until the day she couldn’t stay away from them.
What begins as a strange new hobby quickly turns into something else. An obsession. A need to photograph graves she’s never seen before… places she feels drawn to.
Her husband, Robert, knows something is wrong.
Then the warnings begin.
The ghost of a Revolutionary War soldier appears to Robert with a message he can’t ignore: stay away.
But Pam won’t stop.
Because one grave is calling to her—that of a sixteen-year-old girl who died in 1991. A death long forgotten.
But not by Robert.
As the past closes in, a truth buried for decades begins to surface—pulling the living and the dead toward a confrontation that can no longer be avoided.
‘Involuntary Deeds’ is a novella for fans of classic ghost stories in the tradition of Peter Straub, Shirley Jackson, M.R. James, and E.F. Benson.
Read NO SURE THING in Kobo Plus. Also available for purchase at Amazon, Google Play, Apple Books, and Barnes & Noble
No Sure Thing: a Gen X coming-of-age novel set in 1988 is now available in Kobo Plus.
Kobo Plus is Kobo’s version of Kindle Unlimited. I’ve been moving some titles in there on an experimental basis.
Kobo Plus, like Kindle Unlimited, will inevitably be swamped with trashy, sexually explicit romance novels. (Unfortunately, that’s probably already the case). But at least Kobo Plus does not require exclusivity. So I’m willing to give it a try for now.
No Sure Thing, like the title suggests, is a coming-of-age novel in a distinctly Gen X setting. While the novel is not autobiographical in any significant way, many of the characters and conflicts presented therein are based on people and situations that I observed myself during the 1980s. So it is authentic, if nothing else.
While there are several “love plots” in the book, this is not a romance novel in any traditional sense. If that’s what you’re looking for, look elsewhere.
But not all of the teen movies of the 1980s followed the traditional romance script. Consider the endings of Risky Business and The Last American Virgin. These were much more disillusionment plots than by-the-numbers romance plots (even though the romance element was heavily used in marketing both films).
Fast Times at Ridgemont High, despite the sex and comedy, also had several unmistakable disillusionment plots: Stacy learned the consequences of reckless sexual experimentation; Brad learned the pitfalls of hubris.
As noted above, No Sure Thing is available at all the major online bookstores.
It is not quite summer, if you want to get technical about it. Summer will not officially begin until Sunday, June 21, 2026.
We are still in April. The schools won’t let out for another six weeks.
But the mercury here in southern Ohio will hit 85 degrees today. That’s close enough for me.
The above is one of my early short stories, “The Wasp”. I wrote it back in 2009, and it was first published in my short story collection, HAY MOON AND OTHER STORIES.
This is very much a summertime story. It’s also based my lifetime loathing of wasps. I can handle spiders, snakes, and other creepy-crawlers (to a point, anyway). I love honeybees.
But I absolutely despise wasps.
As the old German proverbs goes, “God made the bee, but the devil made the wasp.”
