John Grisham, Family Secrets, and the new short story trend

When I logged on to Amazon (on the customer-facing side) today, I noticed a new John Grisham short story, “The Law Student.” The short story is a standalone prequel to one of Grisham’s novels. “The Law Student” is about 5,000 words long.

This seems to be a trend in New York publishing of late: novelists publishing short stories that are either based completely in standalone narratives, or are lead-ins to novel-length works.

I’m personally a fan of short stories, both as a reader and as a writer. I recently finished reading a Tom Clancy doorstopper of a novel from the 1980s: Red Storm Rising. Published in 1987 and weighing in at 725 pages, Red Storm Rising was the perfect thick-spined novel for the mall bookstore era. But Red Storm Rising was also at least two hundred pages too long.

There are many perfectly serviceable story ideas that simply don’t require or justify those massive lengths. Consider, for example, my horror tale Family Secrets. This one came to just under 16,000 words. Technically speaking, Family Secrets is a novelette. You might also call it a “long” short story.

Family Secrets is a very gripping story at 16,000 words, if I may say so myself. I would not, however, have wanted to expand the story to a typical 60,000-word novel length. Family Secrets is based on a nightmare I had back in April. Stories based on dreams, even horror stories, are seldom the stuff of full-length novels.

Needless to say, short stories should be priced appropriately. This is a rule that I always follow. I also place most of my fiction in Amazon’s Kindle Unlimited program, where you can read it for free.

-ET

Why I love Halloween

It’s that season of the year again!

Last night I went out for a walk in my neighborhood around 7 pm. (We’ve had an unseasonably warm spell here in the Cincinnati area.) I didn’t take into account how quickly the dusk settles in this late in the year. I was only halfway out when it suddenly became very…well, dark.

I therefore walked back to my house in the dark. The houses around me were festooned with various Halloween decorations: skulls, black cats, and even some cool Halloween projector lights.

I love Halloween. For me, Halloween is the time when we mortals come to terms with two constants of human existence: a.) the unknown, and b.) the inevitability of death.

The celebration of Halloween is an act of acceptance. Our lives will always contain tragedy, dissatisfactions, and uncertainty. But we cannot allow ourselves to paralyzed by fear…or by sadness.

Halloween is a time when we laugh at death, and embrace our mortality.

A few years ago, I wrote a Halloween novel called 12 HOURS OF HALLOWEEN. This nostalgic, coming-of-age horror tale is set on Halloween night, 1980. Check it out here.

Halloween and the Head Collector

From my YouTube channel: a brief video about Head Collector, one of the primary villains of 12 Hours of Halloween.

On Halloween Night, Beware the Head Collector

Cincinnati, Ohio. Halloween night, 1980.

The streets are filled with trick-or-treaters. Jack-o’-lanterns glow on suburban porches. Children roam the neighborhoods in search of candy.

But something else is roaming the streets tonight.

A towering, monstrous figure carrying a machete and a sack.

They call him the Head Collector.

And he isn’t looking for candy.

Meet the Head Collector in this short video inspired by my supernatural coming-of-age horror novel, 12 Hours of Halloween.

**Available on Amazon and in Kindle Unlimited for Halloween 2026**

Dark crime saga set in 1982!

The latest installment of DEADLY BYWAYS is now available on Amazon and in Kindle Unlimited.

Victim Number Eight (Deadly Byways Book 4)

Amazon book description:

The Bywayman has taken another victim.

A Saturday night in January 1982.

The teenage Sharon Asher was supposed to be going on a date.

Instead, her date is murdered at a lonely gas station—and Sharon disappears into the night.

Detective Will Hayworth knows exactly what that means.

Sharon is the eighth person believed to have fallen victim to the mysterious predator stalking the back roads of southwest Ohio. The police have a description of the killer. They have a composite sketch. They even have a possible suspect.

There is only one problem.

They are looking for the wrong man.

While the investigation follows a false trail, Sharon awakens in an underground prison beneath a remote barn. Another captive is already there. And the man holding them has developed a system for keeping his secrets buried.

But Sharon isn’t willing to become just another missing-person photograph.

As the police struggle to find a killer who has spent years hiding in plain sight, Sharon begins looking for a way out.

And inside the killer’s own home, someone else is beginning to realize that something is terribly wrong.

Victim Number Eight is the fourth novel in the Deadly Byways series—a psychological crime thriller set in early-1980s Ohio, where the most dangerous man on the road may be the one no one suspects.

**View VICTIM NUMBER EIGHT on Amazon**

Halloween is coming: 12 Hours of Halloween

Halloween is this month.

For some of us, Halloween is inseparable from memories of childhood: plastic masks, drugstore costumes, jack-o’-lanterns glowing on front porches, piles of candy, and suburban streets that seemed much darker and more mysterious after sunset.

That is the world of my supernatural novel:

12 Hours of Halloween

12 Hours of Halloween takes place on Halloween night in 1980. Three friends—Jeff Schaeffer, Leah Carter, and Bobby Nagel—decide to go trick-or-treating one final time before adolescence brings their childhood Halloween traditions to an end.

They expect an evening of candy, pranks, and perhaps a few manufactured scares.

Instead, they find themselves trapped in a very different kind of Halloween.

A sinister teenager known as the “ghost boy” warns them that they will endure twelve hours of trial. Soon their familiar suburban neighborhood begins to change around them.

Haunted houses. Possessed trees. Restless spirits. And a terrifying figure called the Head Collector, who roams the nighttime streets looking for his next trophy.

But 12 Hours of Halloween isn’t only about monsters.

It is also about that strange boundary between childhood and adolescence—when old friendships begin to change, childhood certainties disappear, and feelings that were once simple suddenly become complicated.

Jeff believes he is falling in love with Leah. His longtime friend Bobby, meanwhile, is becoming someone Jeff no longer completely understands.

And all of this happens during a single long Halloween night.

A Halloween story for the Gen X generation

I wrote 12 Hours of Halloween very much in the tradition of the supernatural stories I grew up with.

If you enjoy the autumnal nostalgia and childhood wonder of Ray Bradbury—particularly stories in which the ordinary world seems only a few steps away from something strange and supernatural—you may find something familiar here.

The setting is deliberately Gen X: Halloween 1980, before smartphones, before social media, and before parents could track their children electronically.

Three kids go out into the October darkness, largely on their own.

And the darkness turns out to contain far more than they bargained for.

12 Hours of Halloween is a coming-of-age story, a supernatural thriller, and a nostalgic trip back to the Halloweens of another era.

With October almost here, this is a good time to take that trip.

12 Hours of Halloween is available on Amazon in Kindle and paperback editions. It is also available to read through Kindle Unlimited.

Happy Halloween—and watch what follows you home.

Dean Wesley Smith’s ‘Advanced Writing into the Dark’

There are very few indie author gurus whom I would consider worth quoting. The indie author commentariat has declined even further in recent years, since the indie publishing field has been swamped with pornographic romance novels.

Dean Wesley Smith is one of the exceptions. He got his start in trad publishing in the last century; and he tends to view the indie author guru orthodoxy with even more disdain than I do.

For example, Smith has coined the term “review begging”. This refers to the practice of indie authors doing backflips, somersaults, and mass giveaways in order to solicit as many random reader reviews and ratings as they can.

Smith is also an ardent proponent of discovery writing, which he has codified into a process he calls “Writing into the Dark.” (Smith considers the more common term “pantsing” to be a little too cutesy; so do I.) He’s put decades of thought into the art and process of discovery writing. Even if you are a dedicated outliner (as a fiction writer), you owe it to yourself to at least give Smith a hearing.

**View ADVANCED WRITING INTO THE DARK on Amazon**

I recently purchased and read Dean Wesley Smith’s Advanced Writing into the Dark. This book was a follow-up to his 2015 title, Writing into the Dark.

Overall, Advanced Writing into the Dark is a worthwhile read, but the title is a bit of a misnomer. While there is some new content, much of the book simply restates what was contained in Writing into the Dark. Advanced Writing into the Dark would have been more properly labeled a second/revised edition.

I admire Dean Wesley Smith for his vast experience in the publishing industry and his original ideas. He is not always adept at organizing those ideas, or—in this case—labeling them.

That said, I’m mostly content with this minor purchase. (I used some of my accumulated Amazon points.) Advanced Writing into the Dark could have been a bit more advanced, but it’s still a good edition to every fiction writer’s library—even if you already own the 2015 edition.

-ET

‘Victim Number Eight: Book Four of Deadly Byways’ now available for preorder on Amazon

The fourth novel in my Deadly Byways series, Victim Number Eight, is now available for preorder. The book will be released on October 7.

The Deadly Byways series is set in southwest Ohio in the late 1970s and early 1980s, an era before cell phones, GPS tracking, surveillance cameras on every corner, and many of the other technologies that have changed both crime and police work.

At the center of the series is Milton Jones, a seemingly ordinary tradesman who has managed to conceal a very different existence from almost everyone around him.

By the beginning of Victim Number Eight, however, the police know that something is happening.

Several people have disappeared along the back roads of southwest Ohio. The newspapers have given the suspected predator a name: the Bywayman. Detective Will Hayworth believes the disappearances are connected.

The police even have a description of the man they’re looking for.

Unfortunately, they’re looking for the wrong man.

A first date goes terribly wrong

Victim Number Eight begins on a cold night in January 1982.

Teenager Sharon Asher is on her first date with a boy named Trent Delaney. They have dinner at an Italian restaurant and set out for the movies in Trent’s 1978 Trans Am.

Then they stop for gas at an isolated Sohio station.

Before the night is over, Trent is dead and Sharon has disappeared.

Sharon becomes Victim Number Eight—the eighth person whom police believe may have fallen prey to the mysterious Bywayman.

Two investigations

On the outside, Will Hayworth and his partner, Jerry Anderson, are trying to make sense of the evidence they have. Unfortunately, some of that evidence is misleading. A possible suspect emerges, and the investigation begins moving in a direction that may take the police even farther from the truth.

Meanwhile, Sharon has an entirely different problem.

She is being held in an underground prison beneath a remote barn.

Another captive is already there when Sharon arrives. From her, Sharon begins learning about the man who has taken her—and what may have happened to the women who came before them.

Sharon quickly realizes that waiting passively for the police to find her may amount to a death sentence.

She will have to find a way out herself.

And then there is Judy

Readers of the earlier Deadly Byways books will already know Judy Jones, Milton’s teenage daughter.

Judy becomes increasingly important in Victim Number Eight.

I’m not going to say much more about that, because Judy’s role is one of the elements of the book that I would rather let readers discover for themselves.

I’ll only say this: Milton has spent years creating a system that allows him to hide what he does from the outside world.

But no system is perfect.

And sometimes the greatest threat comes from inside.

Deadly Byways continues

Although each installment has its own major story arc, Deadly Byways is a continuing six-book story. Victim Number Eight is Book Four, following The Dungeon, The Bridge, and The Bywayman.

With this book, the series moves into its second half. The police investigation is intensifying. Milton’s carefully maintained secrets are becoming more difficult to contain. And Sharon Asher is determined not to become simply another name on the Bywayman’s growing list of victims.

Victim Number Eight is available now for preorder. The book will be released on Amazon Kindle and in Kindle Unlimited on October 7, 2026

**View it on Amazon**

The Vampires of Wallachia: A Halloween story from ‘Hay Moon and Other Stories’

There are certain decisions that seem completely insignificant when you make them.

Where should we stop for dinner?

Which exit should we take?

Should we try that restaurant up ahead?

Most of the time, nothing comes of such decisions. You eat your dinner, get back on the highway, and forget about the place before you reach home.

But sometimes you stop at the wrong restaurant.

That’s the premise behind “The Vampires of Wallachia,” one of the stories in my collection Hay Moon and Other Stories.

Three corporate employees are returning from a business trip through Ohio. They’re tired, hungry, and looking for somewhere to eat before continuing toward Cincinnati.

They eventually find an isolated Chinese restaurant near the small community of Wallachia.

It seems like an unlikely place for a restaurant.

But the lights are on.

The restaurant is open.

And they’re hungry.

So they go inside.

That turns out to be a mistake.

Vampires in the Ohio countryside

One of the things I enjoy doing in horror fiction is putting the fantastic alongside the extremely ordinary.

You don’t need a crumbling castle in Transylvania to encounter something ancient and dangerous.

Sometimes all you need is a lonely highway, a rainy night, and a restaurant that probably shouldn’t be there.

“The Vampires of Wallachia” begins as a fairly mundane story about three coworkers traveling together. There are workplace tensions among them, including an unpleasant boss who is accustomed to getting his way.

Those tensions don’t disappear when the supernatural element enters the story.

They become part of it.

Because the people inside the restaurant aren’t quite what they appear to be.

And the three travelers gradually discover that they haven’t merely stopped at an unusual roadside restaurant.

They’ve walked into someone else’s hunting ground.

A story for the Halloween season

I’ve always liked horror stories in which the everyday world remains recognizable even after something impossible intrudes upon it.

You can still see the highway outside.

Your car is still sitting in the parking lot.

Home may be only an hour or two away.

But suddenly that distance seems much greater.

That was the atmosphere I wanted to create with “The Vampires of Wallachia”: the feeling that somewhere along an ordinary journey, you’ve taken one wrong turn and crossed an invisible boundary.

And getting back across that boundary may not be easy.

If you’re looking for something appropriately creepy to read as Halloween approaches, you’ll find “The Vampires of Wallachia” in Hay Moon and Other Stories.

The collection is available on Amazon Kindle, in paperback, and through Kindle Unlimited.

Just remember:

If you’re driving through rural Ohio late at night and somebody suggests stopping at a strange restaurant for dinner…

Maybe keep driving.

**View HAY MOON AND OTHER STORIES on Amazon**

New story: THE WITCHES OF HARMONY

I am drawn to foreign locations. Some of you know that I’m an avid, lifelong student of foreign languages.

At the same time, travel involves many unknowns. There is a lot that can go wrong… especially if you encounter supernatural entities at your destination.

That’s the idea behind my Terrifying Travels series.

The most recent addition to the series is THE WITCHES OF HARMONY, which involves restless 17th-century spirits in the fictional Greater Boston town of Harmony, Massachusetts. Check it out on Amazon.

Amazon book description:

Some business trips are better left unbooked.

Bill Preston has spent years traveling the country for his job, working trade shows in convention centers from one coast to the other. So when he’s assigned to an industrial expo in Harmony, Massachusetts, he expects another routine week on the road.

Then a coworker warns him about Harmony.

He won’t say exactly what happened there. Only that he never wants to go back.

Bill soon discovers that Harmony is a picture-perfect New England town with a history no one wants to discuss. There are whispered stories about witches who escaped the Salem trials—only to meet a more terrible fate in Harmony.

There are warnings not to go outside after dark.

And there are things in Harmony that only certain people can see.

Bill considers himself a rational man. He doesn’t believe in witches, ghosts, or ancient curses.

But something in Harmony has noticed him.

And before this business trip is over, Bill may discover that some places never escape their past.

The Witches of Harmony is a supernatural horror tale of haunted history, business travel, and a New England town with a secret it has been keeping for more than three hundred years.

‘The Bywayman: Book 3 of Deadly Byways’ is now available

Today marks the release of The Bywayman, the third novel in my Deadly Byways series of crime thrillers set in southwestern Ohio in the late 1970s and early 1980s.

If you’ve been following the series, you know the basic idea behind Deadly Byways.

This is an ongoing story about crimes that unfold along the secondary roads, small towns, suburbs, and forgotten places of an earlier Ohio—the world before cell phones, GPS, security cameras, and the other technologies that now make it much more difficult to simply disappear.

And in The Bywayman, people are disappearing.

Three missing people—and almost nothing to connect them

A young hardware store clerk vanishes.

Then a jealous boyfriend disappears.

Then a college student goes missing, leaving her abandoned car beside an Ohio highway.

Detective Will Hayworth suspects that these disappearances are connected. The problem is proving it.

There are no bodies. There is no obvious common suspect. There isn’t even much physical evidence.

All Hayworth really has is a pattern—and the growing conviction that someone is hunting people along the roads outside Dayton.

Then the case changes.

A fourteen-year-old girl named Theresa Chapman narrowly escapes an attempted abduction on a lonely country road.

Suddenly, the police have something they have never had before.

A living witness.

Theresa can describe the man who tried to abduct her. She can describe his vehicle. She can work with a police artist to create a composite sketch.

For the first time, the predator has a face.

The local media gives him a name:

The Bywayman.

And the hunt begins.

But what if the police are hunting the wrong man?

That’s where The Bywayman becomes more than a straightforward serial-killer story.

One of the ideas that interested me while writing this novel was the enormous importance of information in a criminal investigation—and what happens when that information is unreliable.

A detective can be intelligent, experienced, and completely sincere. But every investigation depends upon what witnesses tell the police, what physical evidence appears to show, and what conclusions investigators draw from those facts.

Change one crucial piece of information, and you can change the entire direction of an investigation.

That idea lies at the heart of The Bywayman.

Will Hayworth knows that someone is out there.

The reader knows that someone is out there.

But knowing that a predator exists and knowing who that predator actually is are two very different things.

Sometimes a bad lead is worse than no lead at all.

A thriller set in the Ohio of the late 1970s

The historical setting is an important part of the Deadly Byways series.

The Bywayman takes place in 1979.

This isn’t the distant past, but it is a very different world from the one we inhabit today.

A teenager could leave a party and find herself walking down a dark two-lane road with no way to summon an Uber—or even call her parents without first finding a telephone.

A stranded motorist couldn’t pull out a smartphone and immediately summon roadside assistance.

There were no location-sharing apps. No text messages. No Ring doorbells recording everyone who approached a house. No ubiquitous digital trail documenting where everyone had been.

If you were alone on a country road at night, you really were alone.

And hitchhiking, while already recognized as potentially dangerous, was still something ordinary people did.

That combination makes the period particularly interesting for crime fiction.

The world was modern enough to be recognizable—but still isolated enough for people to vanish.

The roads themselves are part of the story.

I’ve lived in southwestern Ohio for most of my life, and I’ve always been fascinated by the contrast between the metropolitan areas and what lies just beyond them.

Drive a relatively short distance outside Cincinnati or Dayton, and the landscape changes.

The subdivisions give way to two-lane highways.

The highways pass through woods, farmland, and little communities.

There are stretches where houses are far apart and the road ahead disappears into darkness.

Today those places are less isolated than they once were, because almost everyone carries a communications and navigation device in their pocket.

In 1979, however, a breakdown on one of those roads could leave you genuinely stranded.

And a stranger who stopped to offer assistance might be exactly what he appeared to be.

Or he might not.

That uncertainty is part of the DNA of the Deadly Byways series.

The third installment of Deadly Byways

The Bywayman follows The Dungeon and The Bridge as the third novel in the series.

Although each book has its own major storyline, characters and events carry across the series, creating a larger narrative of crime and investigation in late-1970s and early-1980s Ohio.

With The Bywayman, that larger picture continues to expand.

Detective Will Hayworth is trying to understand a series of disappearances with very little evidence.

A frightened teenage girl becomes the most important witness in the investigation.

And somewhere outside Dayton, a predator is watching the police search for him.

He knows what they’re looking for.

More importantly, he knows they’re looking for the wrong thing.

The Bywayman (Deadly Byways Book 3) is available now on Amazon Kindle and is included with Kindle Unlimited.

**View THE DEADLY BYWAYS series on Amazon***

“The Door-to-Door Man”: a short story set in the age of “stranger danger”

It’s an ordinary spring afternoon in suburban Cincinnati, 1980.

Eighteen-year-old Michelle Blevins is home with her younger brother when a stranger rings the doorbell.

The stranger is wearing a blazer, tie, and aviator sunglasses. He says he represents a local law firm. He says Michelle’s parents are in trouble.

And he really wants to come inside.

That’s the setup for “The Door-to-Door Man,” my latest original short story for YouTube.

Those of us who grew up in the 1970s and 1980s will remember that this was the era of “stranger danger.”

In some ways, the world was considerably less connected than it is today. There were no cell phones, doorbell cameras, GPS trackers, or Internet searches. If a stranger appeared at your front door, you couldn’t pull out your phone and immediately find out who he was.

At the same time, people were becoming increasingly aware that the world wasn’t necessarily as safe as they had once imagined.

Serial killers, violent crime, and mysterious disappearances regularly made the news. Parents warned their children about strangers. And yet it was still perfectly normal for unfamiliar people—salesmen, repairmen, deliverymen, religious solicitors, and others—to simply walk up to your house and ring the doorbell.

That combination provides the backdrop for “The Door-to-Door Man.”

I’ve been experimenting with writing very short fiction specifically for YouTube: complete stories that can be read or listened to in a single sitting, accompanied by atmospheric visuals.

“The Door-to-Door Man” is one of these stories. It’s a tale of suspense rather than supernatural horror. There are no ghosts, monsters, or paranormal forces here. Just an ordinary young woman, an ordinary suburban house—and a stranger at the door who may not be what he claims to be.

You can watch and listen to the complete story in the video accompanying this post.

If you enjoy “The Door-to-Door Man”…

You might also want to check out my DEADLY BYWAYS series.

Deadly Byways consists of six novels set in the late 1970s and early 1980s. Like “The Door-to-Door Man,” these stories explore the darker side of an era that many of us remember with nostalgia—but which had plenty of dangers and shadows of its own.

The books are available on Amazon and can also be read through Kindle Unlimited.

If you enjoy suspense stories about ordinary people confronting extraordinary dangers—especially stories set against the backdrop of America several decades ago—DEADLY BYWAYS may be for you.

In the meantime, I hope you enjoy “The Door-to-Door Man.”

And remember: be careful who you open your front door to.

-ET

A disappearance in 1987

What if someone you knew in 1987 simply disappeared?

Not just physically.

What if her name vanished from university records? Her coworkers had never heard of her. Her boyfriend insisted she had never existed.

And you were the only person who remembered her?

In the summer of 1987, nineteen-year-old Steve Harris meets Mary Wilson while taking a biology class at the University of Cincinnati.

Mary is fascinated by a campus legend involving the deserted upper floors of Crosley Tower. She persuades Steve to investigate with her.

They find something up there.

And the next day, Mary is gone.

But Crosley Tower isn’t merely haunted.

Something inside the building has disturbed the boundary between 1987 and 2026—between one version of reality and another.

And Mary Wilson may not be gone at all.

She may simply be somewhere—or somewhen—else.

THE WOMAN IN CROSLEY TOWER

A supernatural mystery about memory, time, and a building where realities that should never touch begin to overlap.

Available on Amazon and in Kindle Unlimited.

Online book reviews and ratings: take them with a large grain of salt

About a decade ago, I read a review of Mary Miller’s 2014 novel, The Last Days of California, in a print magazine. The reviewer, a book critic whom I knew by name and trusted, highly recommended Miller’s novel.

I was skeptical. The Last Days of California is a teenage girl’s coming-of-age story. I was a middle-aged man. Not long before that, a young woman in my social circle had recommended John Green’s emotional teen novel The Fault in Our Stars. Against my better judgment, I had purchased The Fault in Our Stars and tried to read it. I was unable to finish—not because The Fault in Our Stars was a bad book, but simply because I was the wrong reader for it.

Nevertheless, I ordered The Last Days of California from Amazon. The book promised to be not only a coming-of-age story, but also a story about the dynamics of 21st-century family life with a little bit of the culture wars mixed in. I was intrigued.

I’m glad I took a chance on The Last Days of California. It turned out to be a wonderful story, even though this is the kind of book I rarely read. (My personal reading tastes veer more toward Michael Connelly and Lee Child.)

But the collective readership of Amazon and Goodreads does not agree with me—at least not the ones who are leaving ratings and reviews. At the time of this writing, The Last Days of California has a 3.5 cumulative average on Amazon and a 3.4 cumulative average on Goodreads.

If I had consulted the online peanut gallery, I would have skipped Mary Miller’s book entirely. Fortunately, by 2014 I already knew the truth about mass online review venues like Amazon and Goodreads.

The Last Days of California, by Mary Miller (Amazon product page, 8/25/2026)

In 2012, it was discovered that John Locke, a bestselling indie author famous for his Donovan Creed series, purchased reviews from review farms. He personally compensated some other reviewers.

Black hat practices like that are harder to carry out in 2026. (There was a widespread backlash over the John Locke scandal, and Amazon took some steps to penalize outright review scammers.)

But gray hat practices persist in the publishing industry. Major publishers and imprints retain lists of friendly reader-reviewers, who can always be counted on to give a particular author a 5-star review. Indie authors are not far behind. Most know better than to specifically compensate for reviews, but there are still indie authors who will raffle iPads for their reader-reviewers. That sends a message—and broadcasts certain incentives. Continue reading “Online book reviews and ratings: take them with a large grain of salt”

Vietnam Vets and Generation X

Today Vietnam vets are older men in their seventies and eighties. But when I was growing up in the 1970s and 80s, Vietnam vets were young middle-aged men in their thirties and forties.

When I was very young, Vietnam vets were still in their twenties. I was born in 1968, so I have no direct memories of the Vietnam War. I do, however, remember its immediate aftermath. It was a common topic of conversation in the mid-1970s. In those days, the war—as well as the political and social turmoil of the 1960s—were very much in recent memory.

Movies about the American War and Vietnam began to appear in the 1970s. These include Apocalypse Now and The Deer Hunter. Although Taxi Driver is not technically a movie about the Vietnam War, its central character, Travis Bickle, is a disturbed Vietnam War veteran.

And this was the common “meme,” to use an internet-age word: the disturbed Vietnam War veteran. In film and literature, Vietnam vets were often portrayed as brooding, volatile individuals.

It wasn’t until the 1980s that the American Vietnam War experience began to be portrayed with a bit more nuance. The release of the Vietnam War film Platoon, a commercial and critical success, portrayed the Vietnam War as a complex situation in which American soldiers often had to choose the least bad option. As the 1980s concluded, portrayals of Vietnam vets became far less simplistic, more diverse, and more respectful.

I would never attempt to write a novel about the Vietnam experience itself. But I did include a Vietnam vet in my Gen X coming-of-age novel, No Sure Thing. The novel is primarily the story of Paul Nelson, a 19-year-old University of Cincinnati student. But Paul’s mentor, Ron McNab, is a 42-year-old Vietnam vet. (No Sure Thing is set in 1988.)

I would describe the character of Ron McNab as half-fictional. Throughout my formative years, I met many Vietnam vets who shared their experiences with me. Several of them became an inspiration for Ron.

-ET

**View NO SURE THING on Amazon**

Blood Flats Kindle countdown deal through July 24

What if the safest place you ever knew became the most dangerous?

Lee McCabe returns from Iraq expecting peace.

Instead he walks into murder, corruption, and a county where everyone seems to have something to hide.

His only choices:

Fight.
Run.
Or die.

BLOOD FLATS is just $1.99 through July 24.

**Get it on Amazon**