See Kevin Tumlinson’s video about the changing tides of Amazon reviews, and how the rule changes have been influenced by—you guessed it—AI.
I recently opined about the topic of review begging. Although Kevin Tumlinson approaches the issue from a different angle, he also seems to believe that obsessive review farming is no longer a productive practice for authors and publishers…if it ever was.
I can’t say this enough. There is absolutely nothing wrong with a book review culture existing online, as something that readers do among themselves.
By all means let readers talk about the books they’ve read. And leave them alone while they’re doing it.
The problem arises when authors and publishers begin to see random internet reviews—written by random people—as a key pillar of their marketing strategy.
As this video from Coin Bureau Finance explains, the OnlyFans gold rush is already over, and more changes are coming. The platform is inherently risky for investors and credit card processors; but that isn’t the only problem. The OnlyFans ecosystem is also subject to the aggregating forces that are present in any creator-based economy.
Henceforth, OnlyFans will likely be moving in two directions, neither of which is promising for the much-ballyhooed individual creator on the platform.
The first is the superstar creator. Often this will be a celebrity. Recently, there has been an influx of aging female celebrities joining OnlyFans. These are actresses who have aged out of leading-lady roles (don’t look for Sydney Sweeney or Zendaya to join anytime soon) but who are still young and attractive enough to draw in millions of simps with credit cards. Shannon Elizabeth is the most famous recent example, but she is far from alone.
The second direction is that of the AI-powered OnlyFans agency. In these cases, there may be a real live human female somewhere, providing some of the content. Increasingly, however, content that does not feature a celebrity will rely on artificial intelligence.
And according to the above video, artificial intelligence is already powering many OnlyFans accounts. The thirsty males who plunk down their credit cards each month think that they are gaining access to the woman on the other side of the screen. In reality, they are most likely chatting with a woman (or possibly even a man) in a call center-like facility in the Philippines or Vietnam.
Which brings us to another familiar realization: OnlyFans subscribers really are a gullible, pathetic bunch of men.
It is not quite summer, if you want to get technical about it. Summer will not officially begin until Sunday, June 21, 2026.
We are still in April. The schools won’t let out for another six weeks.
But the mercury here in southern Ohio will hit 85 degrees today. That’s close enough for me.
The above is one of my early short stories, “The Wasp”. I wrote it back in 2009, and it was first published in my short story collection, HAY MOON AND OTHER STORIES.
This is very much a summertime story. It’s also based my lifetime loathing of wasps. I can handle spiders, snakes, and other creepy-crawlers (to a point, anyway). I love honeybees.
But I absolutely despise wasps.
As the old German proverbs goes, “God made the bee, but the devil made the wasp.”
My maternal grandfather, born in 1921, grew up in rural Adams County, Ohio. He told me so much about that time and place, that I sometimes feel as if I lived it all myself.
“Hay Moon” is a short story set in rural Ohio in the summer of 1932. My grandfather never told me a story like this, filled with supernatural forces and the undead. But his real-life accounts of his childhood years helped me add a realistic flavor to the tale, if I say so myself.
You can listen to the story here, or on my YouTube channel (where you’ll find lots of additional audio content).
“The Robots of Jericho” is one of my early short stories. I wrote this back in 2009.
I spent a lot of years in the automotive industry, and countless hours in automotive plants.
Many of these factories had industrial robots. If you’ve ever watched industrial robots move, you’ll agree that they often appear to be alive.
Of course, I know that industrial robots aren’t really alive and sentient. But what if they were? “The Robots of Jericho” is a story about such a scenario.
“The Robots of Jericho” is available in print and ebook as one of the stories in my Hay Moon short story collection. But you’re welcome to listen to the story in the video below:
REVOLUTIONARY GHOSTS is a coming-of-age supernatural horror novel set near Cincinnati, Ohio in 1976.
But the novel is based on Washington Irving’s 1820 short story, “The Legend of Sleepy Hollow”.
Revolutionary Ghosts came from the question: “What would have happened, had the Headless Horseman of Washington Irving’s tale invaded 20th-century America in 1976?
In the above video, I describe the series of associations that went into the story, some going back all the way to my childhood. (I was 8 years old in 1976!)
Escape is one of the few rock albums with no duds. Every song is good—if you like Journey’s style of music.
But the best song on the album, perhaps, is “Don’t Stop Believin’”. It is a great song because it is simultaneously specific and universal.
We wonder about the small town girl, and the city boy “born and raised in South Detroit.” What compelled each of them to take “the midnight train going anywhere”?
And at the same time, the song is vague enough that we can each apply it to our individual stories. “Whoa, the movie never ends. It goes on and on and on and on.” My movie has gone on for 44 years since I first heard this song, and counting.
For years, this song instantly took me back to the 1981-2 school year, and the adolescent I was at that time. The song can still do that.
But then a few years ago, I watched The Sopranos from start to finish. (I was about a decade behind everyone else in doing this…the story of my life.) Then, for a long time, I would see the final, iconic scene of The Sopranos when I heard, “Don’t Stop Believin’”.
Most recently, I have discovered First to Eleven’s interpretation of the song. (First to Eleven is a very talented cover band based in Erie, Pennsylvania.)
None of the members of First to Eleven was even born when I heard “Don’t Stop Believin’” for the first time, back in 1981. (They are all very young.) And yet, their music video, and lead vocalist Audra Miller’s performance, put yet another spin on the song for me.
And some people worry—or hope—that AI will replace serious musicians? They base this on the fact (for example) that AI can now reassemble good music into mediocre music. (See my recent post about The Velvet Sundown.)
AI will never be good for anything but mediocrity. Only a human imagination could have come up with “Don’t Stop Believin’” almost half a century ago. And it took human imagination to come up with all these reimaginings of the song since then.
I discovered pop/rock music in 1981-2, when I was still in junior high. Because of the longevity of contemporary rock bands, I sometimes come across new material from bands that I first discovered 40 years ago.
This is always a treat, and it always makes me feel younger. (If the rock bands of your youth are still making new music, you can’t be that old, right? That notion works for the Boomers, so why not for Gen X?)
38 Special is one such still-active band from my junior high years. I became a fan of 38 Special back when their 1982 album Special Forces was new, and reached the number 10 spot on the Billboard 200. This album includes several of the group’s classic songs, including, “Caught Up in You” and “You Keep Runnin’ Away”.
The band has just released a new song on YouTube, “All I Haven’t Said”.
There have been some personnel changes since 1982, of course. (I believe 38 Special has a new lead vocalist.) So the sound is a little different, but the same spirit is there.
I like the new song, and I am glad to see that 38 Special is still around and making music.
