My maternal grandfather, born in 1921, grew up in rural Adams County, Ohio. He told me so much about that time and place, that I sometimes feel as if I lived it all myself.
“Hay Moon” is a short story set in rural Ohio in the summer of 1932. My grandfather never told me a story like this, filled with supernatural forces and the undead. But his real-life accounts of his childhood years helped me add a realistic flavor to the tale, if I say so myself.
You can listen to the story here, or on my YouTube channel (where you’ll find lots of additional audio content).
NO SURE THING has a new cover. The setting is a modified image of the University of Cincinnati campus, which I attended in the late 1980s.
Who should read NO SURE THING? You’ll enjoy this book if you fondly remember teen and young adult movies of the 80s. The book is based on a number of ideas I’ve been kicking around for years, but it really crystalized when I rewatched Risky Business, the 1983 film that made Tom Cruise a household name.
People occasionally ask me what I like in the way of poetry. When this happens, I hem and haw around, and try to change the subject. I might suggest the lyrics of Neil Peart, the drummer and chief songwriter for the Canadian rock band Rush.
But that’s a non-answer. Neil Peart mostly wrote song lyrics, which are distinct from—though closely related to—poetry that is meant to be read from a page, rather than performed as music.
The sad fact is: a lot of contemporary American poetry is not very good. Regular readers will know that I’m fond of trashing the twenty-first century. But the decline of English-language verse began far back in the last century. By the time I was born (1968), English-language poetry was already in decline.
Most of it seems to fall into one of two camps. At one extreme, there is sappy love poetry that imitates the late Rod McKuen. At the other extreme, there is slam poetry, which devolved from the rantings of Allen Ginsberg.
But not all is doom and gloom. Richard Wilbur (1921-1997) was a twentieth century poet who wrote verse as the English language gods intended it to be written. That is: with discipline and structure, and focused on concretes rather than abstractions.
Here’s a sample of Wilbur’s classic poem, “Advice to a Prophet”:
“When you come, as you soon must, to the streets of our city,
Mad-eyed from stating the obvious,
Not proclaiming our fall but begging us
In God’s name to have self-pity,
Spare us all word of the weapons, their force and range,
The long numbers that rocket the mind;
Our slow, unreckoning hearts will be left behind,
Unable to fear what is too strange.
Nor shall you scare us with talk of the death of the race.
How should we dream of this place without us?—
The sun mere fire, the leaves untroubled about us,
A stone look on the stone’s face?…”
That is great stuff. I loved these lines when I first read them, back in the mid-1980s. And I love them still.
I briefly met Richard Wilbur in 1987, when he was a guest speaker at Northern Kentucky University, where I was a student. I was already a moderately enthusiastic fan by this point. I asked him a question or two during the Q&A session— probably dumb questions. But hey, I was nineteen years old at the time.
I really miss the music culture of the 1980s, especially MTV.
And John Mellencamp was one of my favorite solo artists. His commercial breakout album, American Fool, came out in 1982, just as I was entering high school.
Mellencamp was atypical in an era of polished arena rock and heavy synthesizers. Both his songs and his persona had a distinctly midwestern American vibe.
The singer hailed from Seymour, Indiana, less than two hours from my home in Cincinnati, Ohio. My dad grew up in the same general area of the Hoosier State. Perhaps for this reason, I found Mellencamp’s music relatable. (On the other hand, I could never relate to the worlds of David Bowie or Ratt.)
The attached video is for the single “Cherry Bomb”. It was released in 1987, and included on the album TheLonesome Jubilee. The music video features plenty of vintage footage from the 1960s and early 1970s. I don’t know if these video clips are from Indiana, but they sure look like Indiana, back in those days.
I would be remiss if I didn’t mention the interracial couple featured in the video. John Mellencamp has never been shy about his (progressive) politics; and we can be sure that this was a deliberate choice.
I remember 1987 like it was yesterday. (I was nineteen.) In 1987, a young interracial couple in a music video was not as shocking as it would have been twenty years earlier, and not as ho-hum as it would have been twenty years later. And certainly not the cliché that it would be now, almost 40 years after the music video for “Cherry Bomb” was made.
In 1987, this was something that people would notice, without being either outraged or inspired by it. Mellencamp was not being “brave” or ground-breaking by presenting this in 1987. But he was making a statement.
The year is 1988. Anything can happen, but nothing is guaranteed!
Get ready for a coming-of-age story that will remind you of your favorite teen/young adult movies from the 1980s.
As the year 1988 begins, Paul Nelson is nineteen going on twenty. Paul is an economics major at the University of Cincinnati. He has big plans to go to work at a major bank after graduation.
But Paul’s life is not without problems. His first serious girlfriend has dumped him, and his best friend Scott gets all the female attention, seemingly without trying.
Paul meets a witty young woman who seems to be his perfect match. But then he unexpectedly falls for an older woman who has secrets and an unknown agenda.
Paul’s life spins out of control. He’s also incurred the unwanted attention of the Cincinnati Police Department, criminal elements, and a military man who detests him on sight.
Filled with a wide range of memorable characters and a generous dollop of 80s nostalgia, ‘No Sure Thing’ is a fun and fast-paced tale from a bygone but fondly remembered era.
As I write these words, meteorologists throughout the country are predicting a nationwide, historic snowstorm. I hope they’re wrong!
Of course, for American adults around my age—especially if they grew up east of the Mississippi—there are two childhood winters that stand out in memory: those are the back-to-back “blizzard winters” in the mid-1970s: the winter of 1976 to 1977, and the winter of 1977 to 1978.
The winter of 1976 to 1977
The winter of 1976 to 1977 was the winter of record-breaking, pipe-bursting, river-freezing cold. Here in Cincinnati, there were three straight days of record cold in January 1977, in which the temperature stayed below minus 20 degrees Fahrenheit the whole time.
The Ohio River froze solid—for the first time since 1958, and only the thirteenth time on record. In the Cincinnati media archives, there are photos of people walking across the Ohio River, and even driving across the ice that month. The freezing of the Ohio was quite a novelty, much talked about on the local news. One of my older friends has told me about driving his car across the Ohio River that winter on a dare. He was then nineteen years old, and he’s now in his sixties. So he obviously made it across.
January of 1977 was also a snowy one. Cincinnati had 30.3 inches of snow that year. (The usual figure for Cincinnati in January is six inches.)
Photo: Kenton County LibraryPhoto: Kenton County LibraryBeechmont Avenue, Cincinnati, Ohio (personal photo)
The winter of 1977 to 1978
The following winter of 1977 to 1978 was just as bad, with almost as much cold, and even more snow. On January 25, 1978, one of the worst blizzards in U.S. history pummeled Cincinnati with almost seven inches of snow. There were already fourteen on the ground.
I remember the night of January 25, 1978 well. I played forward on our fourth-grade basketball team. That night we had a game at a rival Catholic school in the area, Guardian Angels. I remember walking outside at halftime with other members of my team. The air was not exceptionally cold yet by January standards. (It would soon plummet below zero degrees.) But there was a strange fog in the air. I think we all had the feeling that something momentous was imminent. On the way home from the game, the snow began. By morning, it was a whiteout.
Winter landscapes of the memory
At the age of eight or nine, one doesn’t have much life experience to draw upon. I could sense, though, that those two winters were worse than the handful of winters I could recall before. During those two winters, the outside air always seemed to be bitterly cold. Furnaces ran constantly. Fireplaces crackled nonstop. The ground was always snow-covered.
Many people are depressed by snow and cold weather, and winter in general. Not me. I will confess that some of my happiest childhood memories are winter ones, in fact.
I was particularly close to my maternal grandparents. During those blizzard years of the 1970s, they lived just down the street from us. When school was canceled due to inclement weather, I got to pass the day with my grandfather, who had recently retired. We spent a lot of time together in those years. I’m grateful for all the snow.
The cyclical nature of winter weather
It has been my observation that bad and mild winters tend to alternate in cycles. From the mid-1970s through the early 1980s, the winters were harsh, with record cold and snow.
The winter of 1981 to 1982 was cold. The Cincinnati Bengals went to the Super Bowl that year. On January 10, 1982, the Bengals won a key home game against the San Diego Chargers. The air temperature at Cincinnati’s Riverfront Stadium on game day was minus nine degrees, with wind chills down to 35 below. That game has gone down in NFL history as the “Freezer Bowl”.
I was in the eighth grade in 1981-1982, and going through a (brief, in retrospect) rebellious adolescent phase. This included hanging out with an edgier crowd, and embracing a short-lived fascination with smoking cigarettes and drinking alcohol.
Even in 1982, smoking and drinking weren’t acceptable pursuits for eighth graders. But hiding these illicit activities from adult authority figures was half the fun. I have many memories of shivering outside that bitter January, as I sipped a furtive drink of whiskey, or smoked a Marlboro. Even today, when I happen to smell someone else’s newly opened pack of cigarettes, or taste an alcoholic beverage, I’m transported back to that brutally cold winter of 1981 to 1982.
The last bad winter I remember from that larger cycle was the winter of 1983 to 1984. That winter brought record cold and snow to the entire United States, including Florida and Texas. As I recall, there was a lot of anxiety about the citrus crop that year, and skyrocketing prices of orange juice.
Over Christmas break in December 1983, my parents decided to embark on a rare family trip to Florida. When we reached Macon, Georgia, it was 4 degrees, with 23 degrees forecast for our destination in the Sunshine State. After spending a night shivering in a Macon hotel room with an inadequate heater, my parents decided to cut our losses. We headed home the next morning. We could freeze in Ohio for free, after all.
But the weather is no more constant than anything else in this world. That cycle of severe winters, from 1976 to 1984, transitioned into a milder pattern over subsequent years. The winters of 1984-1985 and 1985-1986 weren’t exactly balmy; but they weren’t severe, either. Throughout my last two years of high school, classes were rarely canceled due to weather. This was fine with me, because I generally enjoyed high school more than grade school.
And during my college years, spanning the winters of 1986 to 1987 through 1990 to 1991, the winters in Cincinnati were notably mild. I did not go away for college; I lived with my parents and commuted to two local schools. I did not miss a single class due to bad winter weather throughout my entire college career.
That mild cycle continued through the early 1990s, only to go the other way again in the middle of the decade. The winter of 1995 to 1996 was an especially bad one for the entire Midwest, resulting in a rare shutdown of the University of Cincinnati in January of ’96. By this time, I was a working adult in my mid-twenties.
The winter of 1995 to 1996 drew comparisons in the media to the blizzard winters of the mid-1970s. I remember scoffing when I heard this. Having been a kid during those fabled winters of the 1970s, I never took the comparison seriously.
But then, everything seems to happen on a larger scale when you’re a kid…even the weather.
December 31st marked not only the end of 2025, but also the end of MTV (1981 – 2025).
As I explain in the video below, I was one of MTV’s young fans back in the early 1980s.
MTV was a brilliant mechanism for content marketing. Suburban teens like me would discover new bands on MTV. Then we would go to the local mall and purchase the albums.
I discovered many of my favorite bands on MTV, including Def Leppard.
Using various phone apps, many parents now track the movements of their progeny from minute-to-minute. Some parents even track the movements of their adult children. One of my friends can tell you, at any minute of the day, where his two children are. My friend’s children are 26 and 30 years old.
I won’t mince words here. I find all of this geo-tracking to be a little neurotic, not to mention claustrophobic for those who must endure it.
It was different for those of us who grew up in the 1970s and 1980s, of course. At most hours of the day, our parents didn’t know exactly where we were. Oh, sure, they might have had some ideas, in the same way that I know Russia is to the east of me, and Argentina is to the far south. But don’t ask me to give you air travel coordinates. Suburban parents in the 1970s and 1980s relied on similar guesstimates regarding their children’s whereabouts.
During the summer months especially, we took full advantage of this location anonymity. The one thing most every Gen X kid had was a bike. And a bike was a license to travel distances your parents never would have approved of. Some of us planned long quests that would have been worthy of a JRR Tolkien novel like The Hobbit or The Lord of the Rings.
The motivation for these unauthorized trips was often some kind of contraband: alcohol, cigarettes, or firecrackers. Sometimes it was just the thrill of seeing how far your ten speed would carry you in a single June or July morning.
Among adolescent boys, the motivations were often of an amorous inclination. I turned 13 in the summer of 1981. One of my neighborhood friends—I’ll call him Glen—had somehow initiated a running phone conversation with three girls who lived in a neighborhood far from where we lived. Somehow three of us—Glen, me, and one other boy—started talking to the girls, always via landline (the only communication option in those days) and always from Glen’s house.
The girls sounded both pretty and friendly. The girls said they wanted to meet us, but we would have to go to them. And so we planned a bicycle trip to their neighborhood.
Did we ask our parents’ permission? Of course not.
We set off on our bikes one morning around nine a.m. Being randy young males, we eagerly speculated about what might happen at our destination.
When we arrived nearly two hours later, however, the girls were nowhere to be found. Forty-five years after the fact, I’m not sure exactly what happened. We either had the wrong address, or we were duped. Disappointed, we rode back as a particularly hot afternoon settled in.
The lesson I learned from this was: if it seems too good to be true, a little too convenient, then it probably is too good to be true.
But that is the kind of life lesson that you can’t learn on a computer, and certainly not on social media. I’m grateful that I came of age when free-range childhood was still a thing. To grow up without geo-tracking was both a privilege and a blessing.
I was ten or eleven years old when I discovered John Dennis Fitzgerald’s (1906–1988) semi-autobiographical series of children’s books, The Great Brain. The books are set at the end of the 1800s in Utah. The eponymous “Great Brain” is a fictionalized version of the author’s older brother.
I’m not sure why I started reading these books back in…1979, it must have been. Probably my mom was familiar with them (?)
Anyway, I recall getting my hands on the first one, and reading the rest in quick succession. Seven books were then available. (The original series was published between 1967 and 1976. A final book, based on Fitzgerald’s notes, was published in 1995, seven years after the author’s death.)
I skimmed through the first few pages of The Great Brain using Amazon’s preview function. I found myself being drawn into the story once again—more than 45 years after my initial reading.
My TBR list is already too long, and children’s fiction has never been my thing as an adult. I must say, though, I would not mind reading The Great Brain books again, or at least one or two of them. This really was—and is—youth fiction at its best. Far better than the much overrated Harry Potter novels, I dare say.
I’m late to this party. I didn’t realize that yet another television adaptation of Stephen King’s It was in the works. So now I know.
Forgive me if I skip this one. I love Stephen King’s books. (Or well, I love many of them, anyway.) But I read It for the first time as an 18-year-old in 1986. (I purchased one of the original hardcovers at the Waldenbooks in my local mall.)
I reread the book once in the 1990s. I’ve seen two screen adaptations already.
I always preferred King’s shorter, tighter books, anyway. For me, It marked the point where every Stephen King book was no longer a guaranteed page-turner.
But that really isn’t the point. This story has been in my brain for almost 40 years now. I understand that Hollywood prefers stories with prequalified demand (i.e., decades-old franchises). But there comes a time when I want something new.
No disrespect intended toward Mr. King. It was entertaining, the first—even the second—time around. But do I need yet another tour through the mythical town of Derry? Of all the teenage experiences I’d like to relive at the ripe old age of 57, this book doesn’t rank very high on the list.
You’re twelve years old, and trick-or-treating with your two best friends.
You know what they say about the Shipley House. Something very bad happened there in 1959.
For more than twenty years, the Shipley house has stood vacant. No one can live there for long.
You’ve been warned not to enter.
But it’s Halloween, after all. How can you resist?
You try the front door. You’re surprised to find that the Shipley house is unlocked. Almost as if the house has been waiting for you.
You go inside, and walk down the hallway toward the bedroom at the end of the corridor.
Be careful: what you find in that room may drive you mad. And you may discover things about yourself that you don’t want to know.
***
The Shipley house is featured in one of the chapters of 12 HOURS OF HALLOWEEN, a Gen X coming-of-age supernatural horror tale set on Halloween night, 1980.
Three young friends decide to go out for “one last Halloween before they enter their teenage years. But this will be a Halloween like no other.
12 HOURS OF HALLOWEEN is available on Amazon, and you can read it for free in Kindle Unlimited.
I vaguely remember the TRS-80 Pocket Computer. Introduced in 1980, this little device was manufactured and marketed by the Tandy Corporation/Radio Shack. (Every shopping mall in the 1980s had a Radio Shack.) Science fiction author Isaac Asimov appeared in a series of marketing spots for the gadget.
1980 Radio Shack ad featuring the TRS-80 Pocket Computer and Isaac Asimov
I didn’t own a TRS-80 Pocket Computer, however. The MSRP was $169.95. In present-day money, that’s about $670—the cost of a base-model iPhone.
And of course, the TRS-80 Pocket Computer had a minimal functionality when compared to an iPhone. It couldn’t make phone calls, play music, or take photos. It couldn’t surf the Internet—which didn’t yet exist, anyway.
The TRS-80 Pocket Computer was programmable in BASIC (which couldn’t do much for the average consumer). Other than that, it was basically a glorified pocket calculator.
Herein lies an important realization about 1980s tech: it was very expensive, and it didn’t do much. Even if you could afford it, you usually concluded that you could do without it.
How egg-throwing teenage boys ruined my last trick-or-treat
My novel 12 HOURS OF HALLOWEEN is a supernatural coming-of-age tale about three young friends who endure the trials of a 12-hour curse on Halloween night, 1980. To survive the night, they must battle vampires, animated trees, and the horrific creature known as the “head collector”.
12 HOURS OF HALLOWEEN is one of the most autobiographical novels I’ve ever written. Like the characters in the novel, I was 12 years old in October 1980. The suburban Cincinnati, Ohio setting is very similar to the one in which I spent my formative years.
That said, the main character of the story, Jeff Schaeffer, doesn’t have much in common with me, or with the boy I was more than 40 years ago. And while I had a group of friends, neither Leah nor Bobby is an exact representation of anyone I knew back then.
Oh, and I never did battle with any of the supernatural creatures that appear in the book.
Here is another point of fabrication: I went on my last trick-or-treat in 1979, not in 1980.
I set 12 HOURS OF HALLOWEEN in 1980 because some of the themes I wanted to explore required an adolescent perspective; and I was twelve in 1980, not in 1979.
But like the characters in the novel, I was somewhat torn (as were the adults around me) about the appropriate age for giving up the trick-or-treat ritual.
In the culture of those times, you were generally okay for trick-or-treating up to age ten or eleven. But once you reached junior high, well, people would give you funny looks if you showed up at their door on October 31st, asking for candy. And once you reached high school, you were definitely too old.
***
In 1979, therefore, my friend Ken and I decided to go out for “one last Halloween”, kind of like the characters in the novel. (Ken, being a year older than me, actually did turn twelve that year.)
I wore a prefabbed costume from Kmart. I don’t even remember what it was. (I seem to recall a green skeleton, but I can’t be sure.) Ken, however, had one of the coolest Halloween costumes I’ve ever seen—before or since.
This was the early Star Wars era, and every kid was a fan. Ken was no exception. His mother made for him a very elaborate imperial stormtrooper costume. This was not something store-bought. She made the whole thing from scratch. It was amazing.
Halloween 1979 in the Cincinnati area provided a clear, pleasantly cool autumn night. We set out a little after 6 p.m., and everything went fine…at first. Then we crossed paths with a group of teenage boys, a hot rod, and some eggs.
***
One thing I’ve noticed about the 21st-century: suburban teenagers are less mischievous than they used to be.
This could be because of helicopter parenting. How much trouble can you get into when your parents are tracking your movements on a smart phone app? Kids today are also very absorbed in virtual worlds of different kinds.
In the late 1970s, however, adolescent entertainment consisted of whatever was on network television (cable TV didn’t become common until about 1982), books, and other young people.
And since there were no parental tracking apps, your parents typically had only a vague sense of your whereabouts at any given moment.
In this atmosphere of fewer ready-made distractions and much less supervision, there were more motives and opportunities for getting into trouble. And plenty of teenage boys jumped at the chance.
***
This particular group of teenage boys, riding around on Halloween night 1979, had decided that it would be fun to throw eggs at the kids who were still young enough to go trick-or-treating.
They were obviously selecting their victims at random. I will retroactively blame Ken for our being singled out. His solid white stormtrooper outfit really did make him a target.
The car—it must have been a Dodge Charger or a Trans Am—slowed down as it approached. Ken and I had no time to assess the situation, let alone take evasive action. Then someone in the passenger seat threw some white objects at us via their rolled-down window.
The car roared away before we realized what had happened: they had pelted us with eggs.
Ken had been walking closest to the road, and he was a mess. The stormtrooper outfit his mother had so painstakingly crafted was now smeared with dripping yellow egg yolk.
Some of the eggs had splattered on me, too…though not very much.
After that, we decided to call it an early night. Neither one of us wanted to walk around dressed like an omelette.
At least the boys didn’t throw rotten eggs at us, I would think later.
***
My guess is that the egg-throwing foray was a spur-of-the-moment thing for the boys.
Speaking of the teenage boys: I never learned their identities. Whoever they were, though, they would all be pushing sixty in 2021.
***
So that was how my last Halloween went, in 1979 and not in 1980. By Halloween 1980, I decided for myself that I had had enough of Halloween and trick-or-treat. It was time to let that childhood ritual go.
Halloween, nevertheless, retains a strong grip on my imagination. 12 HOURS OF HALLOWEEN was therefore a very fun book to write as an adult.
I was just turning 15 when Risky Business—the movie that launched Tom Cruise’s acting career—hit the theaters in August 1983. I was too young to get into an R-rated movie without an adult; and this wasn’t a film that either of my parents would have been interested in seeing with me.
I neglected to see Risky Business for more than 40 years, partly because I was put off by the much-played clip of Tom Cruise dancing in his underwear. Call me homophobic if you’d like; but that isn’t the way to get me to see a movie. And there were just so many other movies to see.
I finally got around to watching Risky Business a few days ago. (Better late than never!) The movie was quite well done for a film that was originally conceived as a throwaway flick for Reagan-era young adults. (Moreover, despite the ubiquity of that clip with Tom Cruise in his underwear, that scene is a minuscule portion of the 95-minute movie.) Continue reading “‘Risky Business’: an entertaining film that would never get made today”
I have been watching some old movies from the 1980s recently. Some have been movies that I saw, but have long since forgotten. Others are iconic films of that era that I never got around to seeing when they were current.
For example, I recently wrote a post about Mystic Pizza (1988). Last night I watched Risky Business (1983). I will have a post about Risky Business soon.
A scene from Mystic Pizza (1988)
One thing I’ve noticed is that many films created in 1980-something as disposable teen comedies were actually pretty good. In 1985, did anyone imagine that people in 2025 would still be talking about The Breakfast Club? Fast Times at Ridgemont High (1982) has been recognized by the American Film Institute for its merits.
Another thing I’ve noticed is the diversity in movies from that bygone era. In 1985, an original movie, properly executed, could make a lot of people rich. But the economics of the 21st-century box office encourage conservatism and a tiresome emphasis on franchise films. Continue reading “The comparative joys of old (1980s) movies”
