Book 4 of ‘THE CAIRO DECEPTION’ now available

The fourth book in THE CAIRO DECEPTION series is now available on Amazon:

“Betty Lehmann travels to Cairo, and finally achieves her goal of participating in a mission for the Third Reich. But she may not survive the experience. 

And even in Egypt, her past catches up with her.

Rudolf Schenk pursues the Vogels in Cairo. But there are new enemies standing in his way.

Jack McCallum is in Egypt seeking buried treasure and an easy fortune. Instead he finds a woman he cannot resist, who draws him into a Nazi plot.”

If you enjoyed the first three books, I think you’ll like this one, too.

(There is one more book in the 5-book series, and it’s in production now.)

View ‘Showdown in Cairo: Book Four of ‘The Cairo Deception’ on Amazon

Start THE CAIRO DECEPTION series FREE, March 5th ~ 9th, 2022

How about a story set in the period immediately before World War 2, featuring Nazi undercover agents, in both Germany and America?

THE FIFTH COLUMN, Book One in THE CAIRO DECEPTION, will be FREE on Amazon Kindle from March 5 through March 9!

Description:

In 1938, 19-year-old Betty Lehmann is the town beauty of Dutch Falls, Pennsylvania. She’s also a member of the German-American Bund, and an undercover agent-in-training for Nazi Germany.

Get it FREE on Kindle here (March 5 through March 9)

Thieves and buried treasure

Coming soon:

SHOWDOWN IN CAIRO: Book 4 of THE CAIRO DECEPTION

What follows is a sneak peek at Chapter 6 of the fourth book in THE CAIRO DECEPTION, my World War II-era adventure/drama series. 

The first three books of THE CAIRO DECEPTION are already available on Amazon.

In the excerpt below, Jack McCallum, a soldier turned treasure hunter, has made a discovery in the Egyptian desert outside Cairo. 

The discovery could make him rich, set for life.

But treasure isn’t the only thing waiting in the Egyptian desert…

CHAPTER 6

The gemstone was about the size of a plum. Jack picked it up from among the clay fragments, his heart pounding. 

There were little images on one side of the stone, carved into its oblong surface. Jack recognized these as Egyptian hieroglyphics, too, though he had no idea what they said.

“Tahmid,” Jack said. “Do you realize what this is?”

“Yes, boss. I do.”

It was unbelievable. This was the Garnet of Hatshepsut. Exactly as John Millhouse had promised. 

Jack felt a sudden, not altogether unpleasant wave of dizziness. He paused for a moment, to take in the realization: He was going to be a rich man. 

“Looks like you’ve struck it rich, boss,” Tahmid said, as if reading his mind. 

Jack was distracted by the distant sound of voices, going back and forth in Arabic. 

He looked up over the side of the hole. 

There were roughly a dozen men, dressed in what approximated Arab bedouin attire. They had arrived on about as many camels. 

They were about a quarter-mile away. At present. 

Roughly half of the men were carrying rifles. The rifles appeared old, but they probably still fired. Several of the rifle-bearing men wore bandoliers criss-crossed over their chests. Many of the men were also wearing scabbards with what looked like long fighting knives.

Jack ducked down back into the hole. He raised a finger to his lips, in order to indicate that Tahmid should be absolutely silent. He pantomimed the presence of the men with his hands and fingers. 

Tahmid took a cautious peek, as well. When he ducked down again, the man’s face bore an expression of abject terror. 

“Thieves,” Tahmid said. “Like I tell you, the desert not safe place.”

“You said that it isn’t safe at night,” Jack countered. “This is the middle of the day.” Jack pointed upward, at the blazing sun.

“Sometimes dangerous during the day, boss. Better to stay in the city.”

Jack was tempted to ask Tahmid why—if he felt that way—he had hired on as a digging assistant to begin with. But that was a fruitless discussion that he had no time for.

His only concern now was those men in the desert. It was a dire situation. Those men would think nothing of murdering two treasure hunters in order to take the gemstone.

Jack thought back to his encounter in the alleyway, with the gang of eight hoodlums (led by the short man with the scar), and the advice of Rudy Gunther, who had literally saved his life that day.

Rudy had advised him to acquire a gun. Jack realized now that he should have taken that advice. But he didn’t know how much use a British Webley revolver would be, anyway, against a small army of armed men. 

There was nothing to do but wait. The men were on their way to somewhere, obviously. They had stopped for a rest, or simply to look around, perhaps using the nearby pyramid as a landmark.

If they rode by here, Jack and Tahmid were goners. If they rode in another direction, they could probably escape. 

Jack waited ten minutes. Hearing nothing, he looked up over the edge of the hole again.

The men were gone.

“How long till our ride meets us at the rendezvous point?” Jack asked Tahmid. Jack’s digging assistant took care of arranging their daily transportation. So far, he had done that with reasonable reliability and efficiency. 

Don’t let me down today, Tahmid, Jack thought. Please.

“Two hours,” Tahmid reported.

The rendezvous point was at the intersection of two poorly maintained macadam roads. The spot was out in the open. Completely exposed.

Jack didn’t think it would be advisable to go there now, and risk so much time at a vulnerable location. Not with the garnet in his possession, and with a roving band of thieves afoot. 

“We’ll leave in one hour,” he told Tahmid.

He wrapped the garnet in a clean cloth, and placed it in his pocket.

***

An hour later, Jack and Tahmid set out with their sparse equipment for the spot where their transportation would be waiting.

They reached the spot, and Jack scanned the horizon anxiously. What if the armed men returned?

Then all was lost. But this was the last big risk. If he could make it back to Cairo, he would be set. Or almost set.

A short while later, an old Ford Model A came chugging into view.

“That’s our ride,” Tahmid said.

The car was driven by two Arab men, who greeted Tahmid in Arabic, and nodded unsmilingly at Jack. They strapped the shovels and other equipment to the roof of the car. Then Jack and Tahmid piled into the back seat.

Jack remained acutely aware of the gemstone in the pocket of his trousers. This was the stone that—if he could hold on to it and get it out of Egypt—would change his life.

The Arab men chatted with Jack during the roughly half-hour ride to the edge of Cairo. Jack didn’t mind. By now he was used to people speaking a language that he couldn’t understand. (And Jack had all but given up on learning any Arabic.) Jack, moreover, was lost in his own thoughts; and he now had a lot to think about.

There was another matter, though. Jack knew nothing about these men in the front seat, or their relationship with Tahmid. What was to stop Tahmid from double-crossing him? Tahmid could tell the men about the gemstone, and arrange a robbery. Then they could plan to split the proceeds from the sale of the garnet among them. Never mind that a stone this valuable would be virtually impossible to sell in Egypt. 

When he arrived safely back in the city, however, Jack felt guilty for his suspicions during the ride. True, Tahmid had been an unmotivated and lackluster employee. There was no indication, however, that he was dishonest or prone to criminal activity. Otherwise, Jack supposed, he would having joined the crew of the scarred gangster from the alleyway, or perhaps the men on camels whom they had seen today in the desert. 

Get Book 1 of THE CAIRO DECEPTION

World War II historical fiction in Kindle Unlimited

Book 3 of The Cairo Deception just dropped on Amazon. There are two more books coming, with release dates later in 2022!

Amazon description:

“An epic of espionage, sacrifice, and betrayal set in the years immediately before World War II.

A group of Germans and Americans must choose sides for and against Nazi Germany, and deal with the consequences of their decisions. 

Their stories begin in Pennsylvania, Indiana, Hamburg, and Stuttgart. They will come together in Cairo, Egypt for a showdown in 1938.”

**You can read the series for FREE in Amazon’s Kindle Unlimited program** (This is kind of like a Netflix for books, for those of you who are unaware. And yes, I do get paid when you do that, thanks!). 

Click here for Kindle Unlimited free trial:

Click here to view THE CAIRO DECEPTION series page on Amazon!

New World War II fiction release!

The third book in THE CAIRO DECEPTION series will be released on Amazon on February 28:

Here’s the bookstore description:

Betty Lehmann travels to Berlin, where she discovers a new sense of purpose as an agent of the Third Reich. 

Ingrid and Heinrich Vogel begin their new lives in Cairo. They find that they have not gone nearly far enough to avoid the grasp of the German Gestapo.

In the United States, an American soldier is forced to commit a fatal act of self-defense. He flees to Cairo in search of treasure and a fresh start.

This installment introduces a new character: Jack McCallum, a young American soldier-turned-treasure-hunter from Indiana.

If you’ve enjoyed the previous two books in the series, I think you’ll like this one, too.

View HUNTERS AND PREY on Amazon

Oh, I should also note that HUNTERS AND PREY (like the previous two books in the series) will be enrolled in Amazon’s Kindle Unlimited subscription service. This means that you can read the series for free if you’re an Amazon Kindle Unlimited subscriber. (Click here for a free Kindle Unlimited trial.)

‘The Rockland Horror 4’ available for preorder

I’m presently working on The Rockland Horror 4. As the title suggests, this is the fourth installment in The Rockland Horror series. 

The release date for the book has been set for May 3, 2022. It should be available before then, however. (I would imagine sometime in January or February of next year; March at the latest.)

If you would like to order the book in advance (at a reduced price), then you can do so here, via Amazon. Another advantage to the preorder is that the book will drop automatically onto your Kindle when it comes out.

If you would prefer to wait, or if you haven’t read the first three books of The Rockland Horror series, then you can either check back here (I’ll announce the actual release with a blog post, of course) or check  The Rockland Horror series page at Amazon. 

A note on reading order.  While each of the books is a self-contained story, they are best read in order. If you haven’t read books 1, 2, and 3, I would recommend that you start with those. 

New World War 2 epic

I’ve got a new series coming out, which you’ll be able to preview on Edward Trimnell Books:

THE CAIRO DECEPTION

In 1938, a rogue German physicist flees to Cairo to prevent Hitler from acquiring the atom bomb.

On his side are his rebellious daughter, and a restless American treasure hunter.

Pitted against him are a ruthless Gestapo agent, and a beautiful American woman with Nazi sympathies.

 

BOOK ONE: THE FIFTH COLUMN

It is summer, 1937, in the town of Dutch Falls, Pennsylvania.

Elisabeth “Betty” Lehmann is a 19-year-old woman who works in her family’s business— a small-town general store.

Oh, and she’s also a member of the German-American Bund, an organization that actively supports Nazi Germany and Adolf Hitler.

Betty is present at a Bund rally when unwelcome visitors arrive.

Read the sample chapters here!

Start ‘The Rockland Horror’ series for FREE: November 1 through 5

I am working on BOOK 4 of THE ROCKLAND HORROR series. THE ROCKLAND HORROR is a multigenerational horror saga about a cursed house in Indiana.

BOOK 4 will be set in the immediate post-WWII era of 1945 to 1946. More information on that shortly.

BOOKs 1, 2, and 3 are already available on Amazon, and enrolled in Kindle Unlimited (for those of you who read through KU.)

BOOK 1 is FREE on Kindle for everyone from November 1 through 5, 2021. 

Keep in mind that Amazon manages the back end of all of this, and the exact hours at the tail end of the free run may vary, depending on your time zone. (So grab it early. Don’t wait until 11:58 p.m. on November 5.)

If you’re interested in trying out the series with a zero commitment, this is your chance.

If you’re interested in trying out Kindle Unlimited, check it out here.

BLOOD FLATS: new cover

BLOOD FLATS, originally published in 2011, was my first novel. It is the story of a former marine who goes on a quest to clear his name after he is wrongly blamed for a double homicide.

BLOOD FLATS is the story of a journey–with lots of gunfights along the way, of course.

I reedited and republished the book last year; but the cover sorely needed updating. This is the newest cover (and the third since the book’s publication). 

View BLOOD FLATS on Amazon.

20th-century horrors in Indiana!

Here’s the first chapter of The Rockland Horror 3

Chapter One

It was a chilly, wet day in March 1917, and thirty-year-old Joe Cullen was overdue for a smoke break.

Joe shot a quick glance over his shoulder. He wanted to make sure that his foreman was nowhere in sight.

Joe was relieved to find himself completely alone on the tree-lined road. All around him, there was nothing but the silent woods. And the light, cold moisture falling from the leaden sky.

Well, almost nothing. There was the Briggs House, too.

This thought made him smile self-consciously. Country people and their superstitions. Never mind that Joe was as country as they came. He also read books, dagnabbit. He had knowledge of the broader world.

He bent and laid his shovel down in the long, sallow, late-winter grass at the edge of the road. The road itself was muddy, owing to the wet weather. He did not want the handle of his shovel to get muddy, too. He still had a lot of work to do with that shovel before quitting time.

That done, he stood, removed his gloves, and slipped them into the lower left side pocket of his coat. From the lower right side pocket he removed a box of Lucky Strikes and a box of wooden matches.

Joe was wearing a broad-rimmed hat, a treated canvas raincoat, and heavy boots. The overhanging tree branches—though still bare of leaves—also caught some of the light rainfall. But when you were working outside in weather like this for an entire day, it was impossible to avoid either the dampness or the chill.

Today’s precipitation was not a hard, driving rain; but it was a steady, unrelenting spittle that varied between mist and drizzle. Fireplace weather, Joe’s mother would have said.

But there would be no fireplace for Joe today—not until quitting time, at least; and that was still several hours away.

***

Joe was currently employed by the Indiana Department of Transportation, a brand-new state agency created by the Indiana Highway Act of two years prior. Joe was part of a crew that had been charged with preparing Washington Hill Road for paving.

At present, the road was all packed earth and gravel. It was literally the same road that had been used in the pioneer days. Washington Hill Road turned to mud every springtime, or even during a midsummer thunderstorm. That might have been suitable for the age of the horse. It would not do for the age of the automobile.

As he paused to light his cigarette—cupping both the cigarette and the match in his hands to shield them against the moisture in the air—Joe allowed himself a look at the Victorian mansion that was impossible to miss at this point on Washington Hill Road.

The Briggs House rose above him in the distance. The decrepit monolith appeared old-fashioned and dark, even when silhouetted against today’s cloudy gray sky.

The Briggs House was on the left side of the road. It stood at the top end of a long, winding, overgrown private lane that rose to a promontory. When the trees were bare, the roofline of the mansion could be partially glimpsed far below Washington Hill, Joe knew. He was a lifelong resident of Rockland, Indiana.

He smiled to himself, and took a drag on his cigarette. Joe Cullen knew all about the Briggs House—the murders, the whispered stories of witchcraft and necromancy. Much of that was pure fabrication, and at least half of it was pure nonsense.

Joe Cullen had no way of knowing that within a matter of minutes, he would hold an entirely changed attitude about the Briggs House.

About The Rockland Horror saga:

“A terrifying multigenerational horror saga set in a cursed house in Indiana. Zombies, evil spirits, and supernatural monsters!”

View The Rockland Horror saga on Amazon!

Read it in Kindle Unlimited!

The Rockland Horror saga is FREE to read in Amazon Kindle Unlimited!

‘The Rockland Horror 3’ is out!

The third installment of The Rockland Horror saga is now available on Amazon:

The 20th century holds new horrors for Rockland, Indiana!

The year is 1917. In faraway Europe, the Great War rages on. The world waits anxiously to see if U.S. President Woodrow Wilson will take America into the conflict.

By now, the events of 1882 are fading into the stuff of legend, for all but the town of Rockland’s oldest residents.

But a few still remember what happened. Continue reading “‘The Rockland Horror 3’ is out!”

‘The Maze’: a parallel world fantasy in Kindle Unlimited

Just a quick book note here: The Maze is now available again to readers in Amazon’s Kindle Unlimited program. You can also purchase the ebook outright, or get the paperback version. 

This is a modern-day “portal”, or parallel world fantasy.

The Maze was originally published in 2013. It had good reviews, but there were a few changes I wanted to make. The book is now back on Amazon with an updated cover.

Original story idea vs. execution: which is more important?

The other day, one of you emailed me to get my take on an age-old debate in writing, filmmaking, and storytelling circles:

Which matters more…the big, highly original idea, or the execution of the story, regardless of its originality?

Many writers fret constantly about people “stealing their ideas”. They put off writing because they “don’t have any original ideas”. They worry about forgetting ideas.

So which is more important? There is evidence for both.

Star Wars took off in 1977 partly because it was such an original idea. Here we had the rough equivalents of cowboys and samurai warriors in space. There had never been anything like that before.

In 2013, I first read about The Americans in the television and movie review section of a magazine. The highly original premise of The Americans— deep undercover Russian spies in Reagan-era America—instantly intrigued me.

The Americans intrigued a lot of people. The Americans ran from 2013 to 2018. During that time, the Cold War period drama received high marks from reviewers and viewers alike. The series has a 96% positive rating on Rotten Tomatoes. The Google composite review score is 4.8 out of 5. That’s pretty close to unanimity, at a time when people widely disagree about almost everything.

Nevertheless, it is easy to imagine The Americans having become nothing more than a Tom Clancy-esque knock-off for cable television. Why didn’t that happen?

The Americans is, indeed, based on a highly innovative “big idea”, what movie and fiction folks like to call “high concept”. But it is in the execution that The Americans really shines: the depth and arc of the characters, the nuts and bolts of each episode.

Plenty of stories succeed in the world of books and film without being very “high concept” at all. Consider the success of Downton Abbey. There is no high concept in Downton Abbey. It is little more than a soap opera set in Edwardian England, in fact.

When I watched the first episode of Downton Abbey, I didn’t know what I was going to think of it. But I was blown away. Not because of the “big idea” (there was none), but because of the execution: characters and individual episodes. The success of Downton Abbey is all in the execution.

An example in the book world would be Jonathan Franzen’s The Corrections. Jonathan Franzen is inconsistent as a writer. (He takes an average of about 6 years to write each book.) He is eccentric as an individual. But he scored a home run with The Corrections in 2001.

I remember getting my hands on this book over the Christmas holiday of 2001. I sat down and read it cover-to-cover, over a period of about 48 hours.

There is no high concept in The Corrections, either. A highly autobiographical novel, The Corrections is a fictionalized adaptation of people and events from the author’s life. But the world that Franzen creates in this book, while mundane, pulls you in. It pulled me in, and it pulled in millions of other readers, too.

***

On the opposite side of this coin are the high concept stories that fall flat because of poor execution.

We have all been bored by stories with incredibly high stakes: literally the end of humanity, in some cases. They bore us because of flaws in characterization, pacing, or depth.

This shows up in a lot of 2- and 3-three star Amazon reviews, that begin with phrases like, “I really wanted to like this book, but…”. Others outright say, “Great idea, but poor execution.”

For me, The Expanse fell into this category. This was true of both the book(s) and the Syfy series.

The premise of The Expanse did intrigue me: neither a near-future alien encounter tale, nor a space opera set in deep space, The Expanse is set a few centuries from the present, within our solar system.

But when I actually dug into the first book, it left me cold. The characters were flat, and there were too many of them. The narrative was unfocused. I had the same reaction a few years later, when I tried the Syfy series. I just couldn’t get into it.

Some of you will disagree with me, of course, but I’m not the only one who found the execution of The Expanse lacking. And I am not someone who dislikes science fiction. I loved the original version of Battlestar Galactica in the 1970s, as well as the “reimagined version” in the 2000s (though with some reservations).

Battlestar Galactica, whether in the hands of Glen A. Larson in the 1970s, or SyFy in the 00s, featured good execution.

But was Battlestar Galactica high concept? Highly original?

20th Century Fox certainly didn’t think so. In 1978, 20th Century Fox sued Universal Studios for allegedly ripping off Star Wars. The lawsuit claimed that Battlestar Galactica had filched more than thirty distinct ideas from Star Wars.

Whether you accept this notion or not, there is no doubt that the original BSG rode the coattails of Star Wars, which was then a monolithic phenomenon of popular culture.

And the rebooted BSG wasn’t original at all. It was based on the 1978 series, which owed much to Star Wars.

***

I’m therefore going to come down on the side of execution over big, original idea.

There are so many stories that we’ve all seen time and time again:

The rough-edged police detective who chafes against “the brass”, but will go to any length to catch a criminal…

  • The star-crossed lovers…
  • The ex-green beret whose daughter has been kidnapped…
  • The sympathetic vampire
  • Aliens/zombies/other monsters disrupt human society…
  • and so on…

Nevertheless, both novelists and filmmakers continue to find fresh new angles on these old ideas…new ways to execute them.

Join Amazon Prime – Watch Thousands of Movies & TV Shows Anytime – Start Free Trial Now

***

For example: I recently enjoyed the final season of Bosch on Amazon Prime Video.

Bosch is based on Michael Connelly’s Harry Bosch novels. The Harry Bosch novels are about a big-city homicide detective, Hieronymus “Harry” Bosch.

I don’t think that Michael Connelly would mind me saying: that’s a very old idea. Nothing original at all in the “concept”! But the Harry Bosch novels represent some of the best genre fiction out there.

Why? Because Michael Connelly’s execution of the character of Harry Bosch, of the murder cases, is so darn good.

Originality, in other words, might be overrated. To be sure, there is a place for it. (It is also a bad idea to jump on literary bandwagons; but that’s a separate topic for another day).

It is probably better to focus on the superlative execution of a “good” story idea—even if it’s been done before—versus waiting around for one superlative idea to come the writer’s way.

How Kindle Unlimited readers behave

Written Word Media, which owns both Free Booksy and Bargain Booksy, recently published a study on Kindle Unlimited (KU) readers, and how they behave. 

Here are the big takeaways:

  • While Amazon does not reveal KU enrollment numbers, there are probably about 3.3 million active members. (That is approximately the 2021 population of Utah.)
  • Kindle Unlimited readers most eagerly devour romance, fantasy, and mystery.
  • Many Kindle Unlimited readers are “whale” readers. (Especially the romance readers, one suspects.)

The study suggests that horror doesn’t do well in KU. On the contrary,  I’ve found that my horror titles do get a fair degree of love in Kindle Unlimited. The Rockland Horror series has done well in terms of KU page reads, with relatively little advertising. 

On the other hand, my espionage thriller, The Consultant, draws more buyers than KU readers. And my corporate thrillers, The Eavesdropper and Termination Man, barely get any KU page reads at all. 

Readers read what they want, and writers write what they want. No harm, no foul. If I were writing romance or urban fantasy with young adult protagonists, I know that I would be getting a ton more page reads. But…I just can’t. 

The preferences of KU readers are neither good nor bad. But they are something that every writer should consider, when deciding whether or not to enroll a specific title in the program. 

***

Are you a writer? Read the full report from Written Word Media here.

Are you a reader? Click here for a FREE Kindle Unlimited trial.