REVOLUTIONARY GHOSTS is a coming-of-age supernatural horror novel set near Cincinnati, Ohio in 1976.
But the novel is based on Washington Irving’s 1820 short story, “The Legend of Sleepy Hollow”.
Revolutionary Ghosts came from the question: “What would have happened, had the Headless Horseman of Washington Irving’s tale invaded 20th-century America in 1976?
In the above video, I describe the series of associations that went into the story, some going back all the way to my childhood. (I was 8 years old in 1976!)
Escape is one of the few rock albums with no duds. Every song is good—if you like Journey’s style of music.
But the best song on the album, perhaps, is “Don’t Stop Believin’”. It is a great song because it is simultaneously specific and universal.
We wonder about the small town girl, and the city boy “born and raised in South Detroit.” What compelled each of them to take “the midnight train going anywhere”?
And at the same time, the song is vague enough that we can each apply it to our individual stories. “Whoa, the movie never ends. It goes on and on and on and on.” My movie has gone on for 44 years since I first heard this song, and counting.
For years, this song instantly took me back to the 1981-2 school year, and the adolescent I was at that time. The song can still do that.
But then a few years ago, I watched The Sopranos from start to finish. (I was about a decade behind everyone else in doing this…the story of my life.) Then, for a long time, I would see the final, iconic scene of The Sopranos when I heard, “Don’t Stop Believin’”.
Most recently, I have discovered First to Eleven’s interpretation of the song. (First to Eleven is a very talented cover band based in Erie, Pennsylvania.)
None of the members of First to Eleven was even born when I heard “Don’t Stop Believin’” for the first time, back in 1981. (They are all very young.) And yet, their music video, and lead vocalist Audra Miller’s performance, put yet another spin on the song for me.
And some people worry—or hope—that AI will replace serious musicians? They base this on the fact (for example) that AI can now reassemble good music into mediocre music. (See my recent post about The Velvet Sundown.)
AI will never be good for anything but mediocrity. Only a human imagination could have come up with “Don’t Stop Believin’” almost half a century ago. And it took human imagination to come up with all these reimaginings of the song since then.
I discovered pop/rock music in 1981-2, when I was still in junior high. Because of the longevity of contemporary rock bands, I sometimes come across new material from bands that I first discovered 40 years ago.
This is always a treat, and it always makes me feel younger. (If the rock bands of your youth are still making new music, you can’t be that old, right? That notion works for the Boomers, so why not for Gen X?)
38 Special is one such still-active band from my junior high years. I became a fan of 38 Special back when their 1982 album Special Forces was new, and reached the number 10 spot on the Billboard 200. This album includes several of the group’s classic songs, including, “Caught Up in You” and “You Keep Runnin’ Away”.
The band has just released a new song on YouTube, “All I Haven’t Said”.
There have been some personnel changes since 1982, of course. (I believe 38 Special has a new lead vocalist.) So the sound is a little different, but the same spirit is there.
I like the new song, and I am glad to see that 38 Special is still around and making music.
