We all know the history surrounding Nazi Germany and its authoritarian controls on popular culture. The Third Reich aggressively banned art that the Nazi Party deemed substandard, degenerate, or subversive.
But that was 90 years ago, right? Today Germany is a modern, democratic nation that isn’t afraid of free expression. Right?
Not exactly. The old authoritarian impulses still hold sway in Berlin. Last month German movie regulators refused to assign a rating to director Uwe Boll’s Citizen Vigilante. Since it is illegal to distribute films in Germany that have not been rated, this effectively banned Citizen Vigilante from the Bundesrepublik Deutschland.
Citizen Vigilante stars Armie Hammer as Michael Sanders, a vigilante who hunts down rapists and violent criminals, many of whom are migrants from Islamic countries.
The movie is an unsubtle statement on government policies that have tolerated—and perhaps even encouraged—mass migration from the Middle East to destinations in the European Union and (to a lesser extent) North America. (Uwe Boll is a German filmmaker.)
By all accounts, Citizen Vigilante is not a pleasant film, and perhaps you could argue that it is not even a particularly good one. But if present headlines are any indication, this is a debate that is not going away anytime soon. The backlash against mass migration is not limited to the Trump-voting sectors of America. The same backlash has been building in Europe for quite some time now. The immigration issue is the primary reason for the recent successes of Germany’s right-leaning Alternative für Deutschland (AfD).
In the internet age, you simply cannot stamp out ideas. After the movie was suppressed in Germany, Elon Musk made it available for 48 hours, free of charge, on his X platform.
I didn’t hear about the movie because of Elon Musk, however. I learned of Citizen Vigilante when I read a finger-wagging article decrying the film’s very existence. It probably would have escaped my notice otherwise. That’s the irony of cancel culture: the very act of denouncing something has the unintended consequence of amplifying it.
I haven’t seen Citizen Vigilante, though I’ve seen clips of some of its most controversial scenes. By all indications, the movie is boilerplate vigilante spectacle. That’s an old genre in entertainment. It goes all the way back to the Race Williams detective stories published in Black Mask in the 1920s, when large numbers of Americans were anxious about rising crime rates. In the 1970s, it was manifest in the Death Wish vigilante films starring the already fifty-something Charles Bronson.
The notion of citizens taking the law into their own hands is an uncomfortable topic for a film. But when such movies become popular, it is usually because of some genuine grassroots frustration with the status quo. Perhaps this is the issue that the German government should really be paying attention to, rather than trying to ban what is, by all accounts, a rather mediocre movie.
Although the Third Reich ended more than eighty years ago, German authorities are still uncomfortable with the concept of unregulated speech. They are also, apparently, unfamiliar with the concept of reverse psychology.
Never before have so many movies, videos, and whatnot competed for our attention. The best way to convince people to seek out an otherwise obscure movie is for a government to declare its director a pariah and his movie verboten. Citizen Vigilante received over 10.5 million views, from all over the world, during its 48-hour free run on X.
-ET