nostalgia – Page 4 – Edward Trimnell Books

Kansas and the perils of creative indecision

Kansas was one of my favorite bands while growing up. But this was always something of a minority viewpoint. Sadly, Kansas is a band that never reached its full potential.

Kansas, like the Canadian rock trio Rush, always had an intellectual, progressive streak. Kansas always wanted to make rock music “something more”.

Here’s an example: the band’s debut, self-titled album contains a song called “Journey from Mariabronn.”

What the heck is Mariabronn, you ask? That’s a reference to German-Swiss author Herman Hesse’s 1930 novel, Narcissus and Goldmund.

Highbrow, yes. But a little too highbrow for popular music. Even in the artistically indulgent 1970s. How many 16-year-olds—either then or now—are conversant in mid-twentieth-century German classic literature?

Kansas basically had two commercially successful albums: Leftoverture (1976) and Point of Know Return (1977).

Leftoverture contains the spiritual rock anthem “Carry On Wayward Son”. This song brought the band mainstream success. This is also the Kansas song that non-devotees are most likely to recognize.

On Point of Know Return you’ll find “Dust in the Wind”, another Kansas song that still gets a fair amount of airplay.

That was about it, as far as commercial success went for Kansas. Although the band soldiered on for years (a version of Kansas continues as a going concern today), the group was fading out by the mid-1980s.

Kansas’s songs are well-thought-out, often to the point of being abstruse. In short, most of the group’s music isn’t immediately accessible to the casual listener. And that’s a fatal flaw in rock music, where the competition is fierce, and audience attention spans are notoriously short.

Kansas was also riven by an internal philosophical dispute. Founding member and chief songwriter Kerry Livegren became a born-again Christian in 1979. He often infused Kansas’s lyrics with quasi-Christian themes. These were seldom preachy or bombastic, but their spiritual import was hard to miss.

The other members of the band weren’t on board with this new direction. Many of Kansas’s albums during the 1980s (Drastic Measures (1983), comes to mind here) contain songs that aren’t really enough of one thing or another. It wasn’t explicitly Christian music, but it wasn’t mainstream rock—or even progressive rock—either.

The last Kansas album I bought was Power (1986). Kerry Livegren had left the band by this time, and the remaining members cobbled together an album that was imitative of the commercial rock music that was popular at that time.

Power contained a few worthwhile songs. But by this time Kansas had simply become too unpredictable as a musical entity—even for fans like myself.

Kansas had a good run in the 1970s, but the band ultimately floundered because its members couldn’t agree on what the band was supposed to represent musically and artistically.

Kansas was never going to be Foreigner or Journey, let alone a Led Zeppelin. All the group’s movements in those mainstream directions were awkward stumbles.

Christian rock was a thing in the 1980s and beyond. (The Christian rock group Stryper, founded in 1983, still has a fan base.) But Kansas never fully cultivated that market, because at least half of the band’s members were uncomfortable with the “Christian rock” label.

So Kansas was ultimately a lot of half-hearted missteps in many competing directions. But not enough of any one thing.

What’s the lesson here? Creator, know thyself. That advice applies not only to rock bands, but to anyone trying to stand out in a marketplace filled with “me-too” offerings.

-ET

The Black Lizard Big Book of Pulps

The period between the two world wars was the golden age of the pulp fiction magazines. This was a time before television, or (of course) the Internet. Entertainment options were limited. (Heck, they barely had radio in those days.) Many people therefore turned to magazines that specialized in quickly written and fast-paced stories of romance, western adventure, crime, science fiction, or horror.

What happened to pulp fiction? The pulp magazines weren’t the victims of television, as is commonly thought. They were the casualties, rather, of the cheaply printed paperback. Modern paperback books were first introduced in 1935, but they really caught on during and shortly after World War II. The paperback completely changed the publishing and bookselling landscape, much as Amazon would about sixty years later.

Some of the original pulp content is still with us, of course. Horror fans who adore H.P. Lovecraft may not know that favorites like “At the Mountains of Madness”, “Dagon” —and most other Lovecraft stories—were originally published in Weird Tales, a pulp magazine founded in 1922. (Note: Weird Tales technically still exists, though its format has undergone some modifications; the magazine has a site on the Internet.)

I’ve read and reread Lovecraft’s oeuvre as much as I care to. So when I was recently in a mood to do some reading off the beaten path, I decided to indulge in a bit of vintage pulp crime fiction.

Or actually, quite a lot of vintage pulp crime fiction. The Black Lizard Big Book of Pulps contains forty-seven stories and two complete novels. Writers represented in this collection include well-known names like Raymond Chandler (1888-1959) and Dashiell Hammett (1894-1961). There are also plenty of stories by writers who are long forgotten.

Why read pulp fiction? Well, you probably already watch pulp television.

I’m a longtime fan of pulp TV, in fact. During the 1980s, I regularly tuned in to action television shows like The A-Team, Knight Rider, Airwolf, and the original MacGyver. These shows were all escapist television, with plots that roared out of the gate like a 1981 DeLorean or a 1987 Toyota Supra.

My favorite was The A-Team. An episode of The A-Team kept you on the edge of your seat. Each episode ended with a blazing gunfight, in which no one was usually killed or seriously injured. The A-Team made absolutely no attempt to provide any sort of messaging on social, political, or philosophical issues. The other aforementioned 80s-era pulp TV shows were done in a similar vein.

Most of these shows did not age well. For nostalgia’s sake, I recently tuned in to a few old episodes of The A-Team and the original MacGyver. In the MacGyver episode, the eponymous hero found himself in the Soviet Union, where everyone conveniently spoke English. The Russians even spoke English with each other. I managed to sit through about twenty minutes of this. Life is too short.

The same might be said of the stories in The Black Lizard Big Book of Pulps. You can detect the literary and storytelling skills at work; but you can also tell that you’re reading fiction produced in a different era, when expectations were very different. My 1980s pulp TV shows did not have to compete with Netflix. The writers whose work is collected in The Black Lizard Big Book of Pulps did not have to compete with Michael Connelly or Lee Child.

The stories in The Black Lizard Big Book of Pulps are interesting as artifacts of the pulp era, in the same way that a Ford Model T is an interesting artifact of automobile technology in the 1920s. But as entertainment for present-day audiences? Keep in mind that some of these stories are more than eighty years old. You had might as well ask me if I would like to use a Model T for my daily commuting needs.

I suspect that this massive tome (more than one thousand pages in print) is so massive for a reason. The editors knew that the phrase “your mileage may vary” would be very applicable here.

What about their usefulness for writers? Those of us who write fiction are always thinking of a story in market analysis terms, after all.

I wouldn’t recommend that any twenty-first century writer try to imitate the style of these stories, exactly. At least a quarter of these tales contain plot holes that you could drive a Model T through; and almost all of them contain hackneyed dialogue. (“He’s on the square!” “The place looked swell.”)

And oh, the eyebrows that will be raised among the finger-wagging social justice crowd. While these stories aren’t intentionally sexist, they are the product of a different time, when ideas about men and women were different. They overflow with gendered terminology that would make any writer the target of an online pitchfork mob today (“honey,” “doll”, “sugar”, “dame”, etc.).

The female characters in these crime stories are mostly props. But then, so are most of the men. These stories are all about plot, plot, plot.

And that is where this book may be instructive for writers who have found themselves too immersed in navel-gazing literary fiction. The writer who suspects he is spending too much time on flowery descriptions and internal monologue may learn something valuable here: how to get to the point, or to the plot. The pulp-era writers were certainly good at that, despite their other shortcomings.

-ET

**View ‘The Black Lizard Big Book of Pulps: The Best Crime Stories from the Pulps During Their Golden Age–The ’20s, ’30s & ’40s’ on Amazon**

Childhood memories, and writing about World War II

My grandfather in the Atlantic Ocean, 1943

World War II has been on my mind and in my fiction a lot of late.

I’m presently finishing up the last book in The Cairo Deception, my WWII-era suspense/drama series. The most recent installment in The Rockland Horror, my historical horror series, takes place in 1945. The plot of The Rockland Horror 4 is intimately bound to the events of World War II.

To be clear about the title of this post: no, I do not have firsthand childhood memories of World War II. I was born in 1968, twenty-three years after the war ended. By the time I became aware of names like Pearl Harbor, Hitler, and Hirohito, the war was at least thirty years in the past.

My grandfather, however (pictured above) was a WWII combat veteran. He served in the Atlantic in the US Navy. His experiences were roughly similar to those depicted in the 2020 Tom Hanks movie, Greyhound.

From a very young age, I was captivated by history. And what better way to learn about history, than by listening to the stories of a relative who actually took part in it?

My grandfather regaled me with his accounts of Egypt, Russia, the United Kingdom, and Syria. He also told me stories about fighting the German U-boats and Messerschmidts.

My grandfather was, in many ways, my first “action hero”. His experiences, though, were very common among men of that generation, who have been called (for good reason) the Greatest Generation.

I don’t remember a thing about World War II. But some of my fondest childhood memories involve listening, with rapt attention, while my grandfather told me about it. He has been gone for decades now, but I still miss him, and I miss his stories. He gave me an enduring interest in World War II, and it isn’t surprising that the war should show up in some of my stories.

1970s blizzard years

Those awful, wonderful winters from 1976 to 1978

This past week two consecutive winter storms dropped more than a foot of snow on Cincinnati. I managed to shovel two driveways, twice, without a.) throwing out my back, b.) re-repturing my 2005 hernia, or c.) having a heart attack. At my current age of fifty-two, I consider that a not unnoteworthy accomplishment.

The winter of 2020 to 2021 has been a rough one so far in Cincinnati, especially compared to the past three or four. Yet more snow is forecast to arrive later this week.

Of course, for American adults around my age—especially if they grew up east of the Mississippi—there are two childhood winters that stand out in memory: those are the back-to-back “blizzard winters” in the mid-1970s: the winter of 1976 to 1977, and the winter of 1977 to 1978.

The winter of 1976 to 1977

The winter of 1976 to 1977 was the winter of record-breaking, pipe-bursting, river-freezing cold. Here in Cincinnati, there were three straight days of record cold in January 1977, in which the temperature stayed below minus 20 degrees Fahrenheit the whole time.

The Ohio River froze solid—for the first time since 1958, and only the thirteenth time on record. In the Cincinnati media archives, there are photos of people walking across the Ohio River, and even driving across the ice that month. The freezing of the Ohio was quite a novelty, much talked about on the local news. One of my older friends has told me about driving his car across the Ohio River that winter on a dare. He was then nineteen years old, and he’s now in his sixties. So he obviously made it across.

January of 1977 was also a snowy one. Cincinnati had 30.3 inches of snow that year. (The usual figure for Cincinnati in January is six inches.)

The winter of 1977 to 1978

The following winter of 1977 to 1978 was just as bad, with almost as much cold, and even more snow. On January 25, 1978, one of the worst blizzards in U.S. history pummeled Cincinnati with almost seven inches of snow. There were already fourteen on the ground.

I remember the night of January 25, 1978 well. I played forward on our fourth-grade basketball team. That night we had a game at a rival Catholic school in the area, Guardian Angels. I remember walking outside at halftime with other members of my team. The air was not exceptionally cold yet by January standards. (It would soon plummet below zero degrees.) But there was a strange fog in the air. I think we all had the feeling that something momentous was imminent. On the way home from the game, the snow began. By morning, it was a whiteout.

Winter landscapes of the memory

At the age of eight or nine, one doesn’t have much life experience to draw upon. I could sense, though, that those two winters were worse than the handful of winters I could recall before. During those two winters, the outside air always seemed to be bitterly cold. Furnaces ran constantly. Fireplaces crackled nonstop. The ground was always snow-covered.

Many people are depressed by snow and cold weather, and winter in general. Not me. I will confess that some of my happiest childhood memories are winter ones, in fact.

I was particularly close to my maternal grandparents. During those blizzard years of the 1970s, they lived just down the street from us. When school was canceled due to inclement weather, I got to pass the day with my grandfather, who had recently retired. We spent a lot of time together in those years. I’m grateful for all the snow.

The cyclical nature of winter weather

It has been my observation that bad and mild winters tend to alternate in cycles. From the mid-1970s through the early 1980s, the winters were harsh, with record cold and snow.

The winter of 1981 to 1982 was cold. The Cincinnati Bengals went to the Super Bowl that year. On January 10, 1982, the Bengals won a key home game against the San Diego Chargers. The air temperature at Cincinnati’s Riverfront Stadium on game day was minus nine degrees, with wind chills down to 35 below. That game has gone down in NFL history as the “Freezer Bowl”.

I was in the eighth grade in 1981-1982, and going through a (brief, in retrospect) rebellious adolescent phase. This included hanging out with an edgier crowd, and embracing a short-lived fascination with smoking cigarettes and drinking alcohol.

Even in 1982, smoking and drinking weren’t acceptable pursuits for eighth graders. But hiding these illicit activities from adult authority figures was half the fun. I have many memories of shivering outside that bitter January, as I sipped a furtive drink of whiskey, or smoked a Marlboro. Even today, when I happen to smell someone else’s newly opened pack of cigarettes, or taste an alcoholic beverage, I’m transported back to that brutally cold winter of 1981 to 1982.

The last bad winter I remember from that larger cycle was the winter of 1983 to 1984. That winter brought record cold and snow to the entire United States, including Florida and Texas. As I recall, there was a lot of anxiety about the citrus crop that year, and skyrocketing prices of orange juice.

Over Christmas break in December 1983, my parents decided to embark on a rare family trip to Florida. When we reached Macon, Georgia, it was 4 degrees, with 23 degrees forecast for our destination in the Sunshine State. After spending a night shivering in a Macon hotel room with an inadequate heater, my parents decided to cut our losses. We headed home the next morning. We could freeze in Ohio for free, after all.

But the weather is no more constant than anything else in this world. That cycle of severe winters, from 1976 to 1984, transitioned into a milder pattern over subsequent years. The winters of 1984-1985 and 1985-1986 weren’t exactly balmy; but they weren’t severe, either. Throughout my last two years of high school, classes were rarely canceled due to weather. This was fine with me, because I generally enjoyed high school more than grade school.

And during my college years, spanning the winters of 1986 to 1987 through 1990 to 1991, the winters in Cincinnati were notably mild. I did not go away for college; I lived with my parents and commuted to two local schools. I did not miss a single class due to bad winter weather throughout my entire college career.

That mild cycle continued through the early 1990s, only to go the other way again in the middle of the decade. The winter of 1995 to 1996 was an especially bad one for the entire Midwest, resulting in a rare shutdown of the University of Cincinnati in January of ’96. By this time, I was a working adult in my mid-twenties.

The winter of 1995 to 1996 drew comparisons in the media to the blizzard winters of the mid-1970s. I remember scoffing when I heard this. Having been a kid during those fabled winters of the 1970s, I never took the comparison seriously.

But then, everything seems to happen on a larger scale when you’re a kid…even the weather.

Scary Christmases gone by

Krampus, Dickens, and what I saw on Christmas Eve, 1976

Merry Christmas, everyone!

Yes, I know this has been a lousy year. It’s almost over, though.

Christmas is generally a festive holiday, but there are some macabre Christmas traditions, too. And they didn’t necessarily begin with this very macabre year of 2020.

Consider, for example, the Dickens tale, A Christmas Carol. This is one of my holiday favorites. Who can forget the Ghost of Christmas Yet to Come, which reminds us of the Grim Reaper? Or, for that matter, Marley’s ghost?

In some parts of Europe, Christmas includes the Krampus, a horned creature that incorporates both Christian and pre-Christian (pagan) traditions. In Germanic folklore, the Krampus works in conjunction with St. Nicholas, rewarding children who have been good, and punishing those who have been bad.

Let me tell you about something that happened to me on Christmas Eve many years ago…in 1976.

I was at my grandparents’ house in the suburbs of Cincinnati, Ohio. The family had just had our Christmas Eve dinner—Grandma’s turkey, stuffing, and mashed potatoes. (My grandmother also used to prepare a festive gelatin salad made with raspberry Jell-O, diced nuts, sliced carrots, and Cool Whip. (I realize that might not sound very tasty, but it was.))

Anyway, I had just left the table for a call of nature. This took me to a hallway in another part of the house.

There in the semidarkness of the hallway, I saw the shadow of a small, gnomish creature. It was right there, within lunging distance of me, cast on the wall.

I was startled—though not necessarily in mortal terror. Being eight years old in 1976, I ran back into the dining room, and told the adults.

There was something in the hall!

They accompanied me back to the hallway where I’d seen the unusual shadow. Needless to say, it was gone.

But there had been something there. I know there was.

My grandparents lived in that house for the rest of their lives. I was close to my grandparents, and visited them often, well into my adult years.

I never saw anything there resembling that gnome shadow figure again. Nor did I ever see any other other strange phenomena in the house.

But I know that something made a brief visit there on Christmas Eve, 1976.

A bad elf, maybe? I don’t know. But like I said, I saw something.

52 years old

Today I turn 52 years old. I am not making a big deal of the day in my real life, because well, when you’re this old, what’s another birthday but a step closer to the grave? (We’ll get to that matter shortly.)

Due to a misspelling on my Ohio driver’s license, I recently had to order a copy of my official birth certificate from the State of Wisconsin. My Certificate of Live Birth lists my parents’ ages as 22. It is difficult for me to imagine either of them as twenty-two today. For that matter, it’s not so easy to imagine myself as twenty-two.

Not that I have much to complain about, mind you. During my teen years, I developed a habit of moderate diet and daily exercise, and I’ve stuck with it. I’m not going to say that I feel like a 19-year-old. I don’t. But I don’t feel much different than I did when I was in my thirties. That’s something.

Of course, I’m also at that age where seemingly healthy men drop dead, out of the blue, from heart attacks. I’ve known several 50-something men who did just that. Once you reach the half-century mark, you really could go at any time.

Fifty is a special milestone in that regard, perhaps. But every birthday much beyond 40 carries with it a realization: You’re on the downhill run now. You’ve reached and surpassed the halfway point. There is more time in the rearview mirror than there is in the windshield.

This means being more deliberate about the choices you make, about how you spend your time. I have a good autobiographical memory. I remember being very young, under the age of 21. I can even remember my years from ten to fifteen with surprisingly clarity.

In those days, I often looked at adulthood as some distant, golden point on the far horizon. Now I wouldn’t mind being 10 again. (But I would want to be 10 in my own times, in my own life. I wouldn’t want to be someone else—and certainly not a random 10-year-old in 2020.)

I realize that it’s vaguely possible that fifty-two years from now, I could be seeing out the last of my days at the age of 104. Frankly, I hope not. As I note elsewhere in this blog, I’m a man of the last century, not this one. I’ll cope with the twenty-first century as I must; but I have no desire to live beyond its midway point.

Every human life has its limit. This is a universal that the atheist and the believer must both come to terms with. Likewise, every person (in my way of thinking, anyway) has their times. Just as I have no desire to be alive one hundred years ago, I have no desire to be alive one hundred years from now.

On this point, I’ve been fairly consistent over the years. I’m a nostalgic, not a futurist. The idea of making it into the record books for my longevity has never been a prospect that much appealed to me. I would rather make the most of a reasonably long—though reasonably limited—span of time.

-ET

McDonald’s Arctic Orange Shakes

My coming-of-age supernatural thriller, Revolutionary Ghosts, is set in 1976. The tale’s hero, an Ohio teenager named Steve Wagner, has a summer job at McDonald’s.

One of the recurring jokes in the book surrounds the Arctic Orange Shake, which McDonald’s did indeed introduce in the summer of 1976. Continue reading “McDonald’s Arctic Orange Shakes”