The public soundtrack, and the cheapening of music

I took guitar lessons for a while in the early 1980s. But only for about a year.

I did not have a knack for music. I lack the sense of timing that is inherent in all great musicians. Writing comes naturally to me. Practicing the guitar was always a chore. I wanted the result, but I did not enjoy the process.

Forty years later, I can still manage most of the basic chords. But where music is concerned, I am content to remain in the audience.

Nevertheless, music is an art form that I appreciate. But I appreciate it selectively. There is music I love (most of it 1980s rock) and music that I will simply never enjoy. I acknowledge Taylor Swift’s commercial success. Her music is not my cup of tea.

But I’m a 50-something male, and we all hate Taylor Swift. Right? Well, maybe, but that’s an oversimplification. Even in the 1980s, there was popular music I never developed an appreciation for: A Flock of Seagulls, Prince, Bruce Springsteen, most of Michael Jackson’s catalog.

On the other hand, I loved Rush, Foreigner, Triumph, Def Leppard, Bryan Adams, Journey.

I think that’s normal, where music is concerned. We all have preferences. No one, I’ve found, is neutral about music. No one likes all of it.

Which makes the public soundtrack all the more annoying. Whenever one enters a restaurant, retail establishment, or waiting room, one is immediately assaulted with random music, piped in from overhead speakers. They play music at my gym, even though most members wear headphones.

Another problem with music in public places is that it is usually played too loud. I won’t get technical here, and speak of decibels. If when addressing my lunch or dinner companion, I have to raise my voice to be heard over the music, then the music is too loud.

Almost as annoying is the street guitarist, tambourine player, or vocalist. I admire the chutzpah of those who publicize their art this way. But I quicken my pace whenever I pass by a street musician. Similarly, I would not stand on the sidewalk and read from one of my novels, stories, or essays.

I want to consume my music selectively: the music I choose, at a time and a place of my choosing. I don’t want a restaurant, fitness club, or a grocery store to tell me that listening to the music of their choice, at the volume of their choice, is the price of admission to their place of business. This is especially true when I find their preferences actively annoying.

As a long-ago failed musician, I understand how difficult it is to become a real, skilled practitioner of that craft. How many hours of practice is required to perform music at even a journeyman level.

All the more reason not to cheapen music, by turning it into aural wallpaper.

 

-ET