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- Here’s an excerpt from Book 2 (Chapter 1)
August 1882
Ellen Briggs, née Ellen Sanders, was in her own house, and she was absolutely terrified.
Of course, this was not really her house, was it? It was her marital residence, where she now effectively lived in a state of captivity.
Not to mention…absolute terror.
She had married Theodore Briggs—railroad tycoon, necromancer, and murderer—only a few months ago.
In the early days of the marriage, Briggs had warned her: Stay out of unfamiliar rooms. Although the house was not old, it was home to many old secrets, Briggs had explained.
But she had forgotten his warning, in light of all that had happened since then…
Today Ellen had been wandering through the first floor of the massive house. Since her escape attempt earlier in the summer, Briggs seldom allowed her leave. But she could not sit still within these walls. If she remained in one place, she would go completely mad.
So today she had gone wandering, even though she had known better.
That was how she came across the undead child…
The door to the room containing the undead child was located adjacent to the first-floor ballroom. Ellen had opened the door, not realizing that the room connected to the basement via one of the home’s labyrinthine internal tunnels.
She reckoned that only later—after it was too late.
It was in the basement that her husband kept his worst secrets. Bodies were buried in the basement—and they didn’t always stay buried. Sometimes, they found their way to other parts of the house…
Nevertheless, this miscellaneous room had seemed harmless enough when she had first entered it. Heavy draperies were drawn on both of the room’s high windows, but some late afternoon sunlight filtered through.
The room seemed made for casual exploration. Various works of art had been stored within it. Paintings bound in frames, but not yet hung, stood stacked against all four walls.
Throughout the floor, in a random arrangement, were various statues: of nymphs, cherubs, and Greek deities. There was one life-size replica of the Venus de Milo. There were waist-high vases, and teak dividers carved in what looked like Turkish patterns.
The fortunes of Ellen’s husband were vast. He had no doubt purchased most of these items in bulk from a broker, with the intention of placing them around the house at a later date.
That work might have been left to Juba, the maidservant whom her husband had ordered killed, for her part in Ellen’s escape attempt. That same escape attempt had also resulted in her husband murdering Wilbur Craine, her former beau and would-be rescuer.
As she made her way through the cluttered room, Ellen endeavored to push those thoughts from her mind. She couldn’t think about Juba now. And certainly not about Wilbur.
She was kneeling down on the hardwood floor, admiring one of the paintings leant against the wall, when she heard something shift from a corner of the room.
Ellen immediately looked away from the landscape painting, toward the movement. She stood up. Something had stirred behind the teak screen in the room’s far corner, near one of the windows.
The teak screen was suspended above the floor on a set of wooden legs. In the gap between the screen and the floor, Ellen could see two small feet, clad in simple leather shoes. The shoes were caked with dried mud.
The feet moved toward the edge of the screen, but not in proper steps. One foot dragged behind the other.
A small figure stepped out from behind the screen. It was short, between four and five feet tall. The very sight of it was absolutely terrifying.
***End of excerpt****