Lovecraft Country: quick review (through episode 3)

When I first heard about Lovecraft Country, I was intrigued. The premise of the show is: a group of African Americans traveling across segregated America in the early 1950s, dodging white racists and Lovecraftian monsters. 

There is a lot about this show that I liked: To begin with, it is superbly cast. Jonathan Majors and Jurnee Smollett have a good chemistry as the two leads. The main characters are also likable. The attention to period detail (in the sets, etc.) is suburb. As the first episode opened, I really felt like I was transported back to the early 1950s. 

I enjoyed the first episode, too. But things started to fall apart midway through episode 2, and they collapsed in episode 3.

For one thing, after episode 1, the plot lines became not scary or suspenseful, but simply weird. By episode 3, the writers were moving the characters from one disjointed sex scene to another. (This is usually a sign that the writers have run out of ideas.) The plot went in random directions, without much structure at all.

Also, the Jim Crow/race angle. Racists of the Jim Crow era have long been stock villains of various movies, novels, and TV shows. The racial injustices in America during the 1950s were real and ever-present for African Americans. I get that; I’m not disputing it.

Good villains, however, should not be cartoon characters. Unfortunately, that’s what the human villains in Lovecraft Country became (very early on, I might add): the same old sputtering, dimwitted stock bigots that we’ve all seen in a hundred movies and television shows about the much-traversed topic of Race in America. It was as if the writers were afraid to give the villains any sophistication or wits at all (lest they appear sympathetic), and so they made them into caricatures. 

I really wanted to enjoy Lovecraft Country. This is a brilliant premise, but it is poorly executed. The show’s producers couldn’t seem to make up their minds whether Lovecraft Country should be straight horror series, a comedy-horror production, or yet another cinematic reminder that many white Americans were really, really racist in the 1950s. The final result is a show that isn’t scary, is often confusing, and is well…somewhat boring. 

I may give the series another try at a later date. But despite a few promising glimmers, the storyline and overall direction of Lovecraft Country are just too unfocused for my tastes. The writers owed Jonathan Majors and Jurnee Smollett much better scripts.